{"id":351,"date":"2025-02-22T18:03:30","date_gmt":"2025-02-22T18:03:30","guid":{"rendered":"https:\/\/michaelbrooke.com\/bluesky\/?page_id=351"},"modified":"2025-04-12T09:43:23","modified_gmt":"2025-04-12T08:43:23","slug":"original-title-index","status":"publish","type":"page","link":"https:\/\/michaelbrooke.com\/bluesky\/original-title-index\/","title":{"rendered":"Original Title Index"},"content":{"rendered":"\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/michaelbrooke.com\/bluesky\/english-title-index\/\">English Title Index<\/a>&nbsp;\/ <a href=\"https:\/\/michaelbrooke.com\/bluesky\/directors-index\/\">Directors Index<\/a> \/&nbsp;<a href=\"https:\/\/michaelbrooke.com\/bluesky\/chronological-index\/\">Chronological Index<\/a> \/ <a href=\"https:\/\/michaelbrooke.com\/bluesky\/countries-index\/\">Countries Index<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lb527v5cjc2a\">A fost sau n-a fost?<\/a>(<em>12:08 East of Bucharest<\/em>, Corneliu Porumboiu, Romania, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljbcig74m22o\">Akvarel&#8217;<\/a> (<em>Watercolour<\/em>, Otar Iosseliani, USSR, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljrnijcgf226\">Der Albaner<\/a><em> (The Albanian<\/em>, Johannes Naber, Germany\/Albania, 2010)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgcz5qb5zs2o\">Alois Nebel<\/a> (Tom\u00e1\u0161 Lu\u0148\u00e1k, Czech Republic\/Germany, 2011)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/did:plc:tqzkkbqrgg3acupfd2z5w4ps\/post\/3lj5jr42olk2n\">Amator<\/a> (<em>Camera Buff<\/em>, Krzysztof Kie\u015blowski, Poland, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lijfyi6fhc2m\">Angi Vera<\/a> (P\u00e1l G\u00e1bor, Hungary, 1978)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3li2d6fh4us2s\">April<\/a> (Vigen Chaldranyan, USSR, 1985)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljgdemjn522c\">Aprili<\/a> (\u10d0\u10de\u10e0\u10d8\u10da\u10d8, Otar Iosseliani, USSR, 1961)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldwcu54jjk2b\">Arabela<\/a> (V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lebmv6dsn22x\">Ashik Kerib<\/a> (Sergei Parajanov, USSR, 1988)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lb7kmhh4j22h\">A tolonc<\/a> (<em>The Exile<\/em>, Mih\u00e1ly Kert\u00e9sz, Hungary, 1914)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgx4uof5ec2b\">Atlantyda<\/a> (<em>Atlantis<\/em>, Valentyn Vasyanovych, Ukraine, 2019)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfyzixf5uc2m\">Ballada o soldate<\/a> (<em>Ballad of a Soldier<\/em>, Grigori Chukhrai, USSR, 1959)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljp5kvufps2z\">Barwy ochronne<\/a><em> (Camouflage<\/em>, Krzysztof Zanussi, Poland, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbtodyfsx22p\">Berlin &#8211; Ecke Sch\u00f6nhauser<\/a> (<em>Berlin, Schoenhauser Corner<\/em>, Gerhard Klein, East Germany, 1957)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lckck22u2c2q\">Bestia<\/a> (<em>The Polish Dancer<\/em>, Aleksander Hertz, Poland, 1917)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfetdfz5ds2d\">Bia\u0142a odwaga<\/a> (<em>White Courage<\/em>, Marcin Kosza\u0142ka, Poland, 2024)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leta2tbja22s\">Bizalom<\/a> (<em>Confidence<\/em>, Istv\u00e1n Szab\u00f3, Hungary, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbxhru3gi22i\">B\u0142\u0119kitny krzy\u017c<\/a> (<em>The Men of the Blue Cross<\/em>, Andrzej Munk, Poland, 1955)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lf2rkygwos2b\">Boogie<\/a> (Radu Muntean, Romania, 2008)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldmbnj7opk2w\">Bou\u0159liv\u00e9 v\u00edno<\/a> (<em>Wine Working<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1976)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3liogvqjprs2b\">Boxer a smr\u0165<\/a> (<em>The Boxer and Death<\/em>, Peter Solan, Czechoslovakia, 1962)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgn6bovxok2w\">Celuloza<\/a> (<em>Cellulose<\/em>, Jerzy Kawalerowicz, Poland, 1953)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljckojzi3c2z\">\u010cert nesp\u00ed  <\/a>(<em>The Devil Never Sleeps<\/em> , Peter Solan\/Franti\u0161ek \u017d\u00e1\u010dek, Czechoslovakia, 1956)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhlam3e5uc2y\">Cesta do prav\u011bku<\/a> (<em>Journey to the Beginning of Time<\/em>, Karel Zeman, Czechoslovakia, 1955)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lc5qfqtcyk2i\">Chodn\u00edk cez Dunaj<\/a> (<em>A Path Across the Danube<\/em>, Miloslav Luther, Czechoslovakia, 1989)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lc6yhav32226\">Con Bravura<\/a> (Andrzej Munk, Poland, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldorgsntr22n\">Co\u017e takhle d\u00e1t si \u0161pen\u00e1t<\/a> (<em>How About a Plate of Spinach?<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbzxw6nfbk27\">Cz\u0142owiek na torze<\/a> (<em>Man on the Tracks<\/em>, Andrzej Munk, Poland, 1956)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgkl7tdhbk2j\">Dasatskisi<\/a> (<em>Beginning<\/em>, D\u00e9a Kulumbegashvili, Georgia\/France, 2020)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lb2jom5lqk2h\">D\u00e9manty noci,<\/a> (<em>Diamonds of the Night<\/em>, Jan N\u011bmec, Czechoslovakia, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lezmy4uop22r\">Der geteilte Himmel<\/a> (<em>The Divided Heaven<\/em>, Konrad Wolf, East Germany, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lis7r5b6cs2u\">Der kleine Prinz<\/a> (<em>The Little Prince<\/em>, Konrad Wolf, East Germany, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lizus4mmrs2i\">Der nackte Mann auf dem Sportplatz<\/a> (<em>The Naked Man in the Stadium<\/em>, Konrad Wolf, East Germany, 1974)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lee5rciavk26\">Dikaya okhota korolya Stakha<\/a> (<em>The Savage Hunt of King Stakh<\/em>, Valeriy Rubinchik, USSR, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldc6xp4mh22u\">D\u00edvka na ko\u0161t\u011bti<\/a> (<em>The Girl on the Broomstick<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1971)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le74eiulb22o\">D\u0142ug<\/a> (<em>The Debt<\/em>, Krzysztof Krauze, Poland, 1999)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3libunqj2yc2f\">Doma\u1e31instvo za po\u010detnici<\/a> (<em>Housekeeping for Beginners<\/em>, Goran Stolevski, North Macedonia\/Australia\/Croatia\/Kosovo\/Poland\/Serbia\/US, 2023)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbh3yxwugk2c\">Dom za ve\u0161anje<\/a> (<em>Time of the Gypsies<\/em>, Emir Kusturica, Yugoslavia, 1988)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbw6snna6s24\">Donbass<\/a> ( Sergei Loznitsa France\/Germany\/Netherlands\/Romania\/Ukraine, 2018)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhg7ipfpk22l\">Do pivnice<\/a> (<em>Down to the Cellar<\/em>, Jan \u0160vankmajer, Czechoslovakia, 1983)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldii52i7gc2z\">Drak sa vracia<\/a> (<em>Dragon&#8217;s Return<\/em>, Eduard Gre\u010dner, Czechoslovakia, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldmblvy5uk2w\">Dva mu\u017ei hl\u00e1s\u00ed p\u0159\u00edchod<\/a> (<em>Two Men Report Arrival<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1975)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldaxpbocjc2c\">20 dniv u Mariupol\u0456<\/a> (<em>Twenty Days in Mariupol<\/em>, Mstyslav Chernov, Ukraine, 2023)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lh6olbjgzk24\">Dwie siostry<\/a> (<em>Two Sisters<\/em>, \u0141ukasz Karwowski, Poland\/Ukraine, 2024)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmeq6e3ktk2u\">Dyrygent<\/a>&nbsp;(<em>The Conductor<\/em>, Andrzej Wajda, Poland, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljnusszwjs2e\">Dzveli kartuli simghera<\/a> (<em>Georgian Ancient Songs<\/em>, Otar Iosseliani, USSR, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lccrvve3ak2i\">\u00c9des Emma, dr\u00e1ga B\u00f6be &#8211; v\u00e1zlatok, aktok<\/a> (<em>Sweet Emma, Dear B\u00f6be <\/em>, Istv\u00e1n Szab\u00f3, Hungary, 1992)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leffsm3z5k2f\">Einmal ist keinmal<\/a> (<em>Once is Never<\/em>, Konrad Wolf, East Germany, 1955)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lc4icyc7rk27\">Eroica<\/a> (Andrzej Munk, Poland, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3li7fxiuhmk2q\">Erotikon<\/a> (Gustav Machat\u00fd, Czechoslovakia, 1929)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldpzkaczqk27\">Eu c\u00e2nd vreau s\u0103 fluier, fluier<\/a> (<em>If I Want to Whistle, I Whistle<\/em>, Florin \u0218erban, Romania, 2010)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljxwluifk223\">Euskadi, \u00e9t\u00e9 1982<\/a> (<em>Euskadi, Summer 1982<\/em>, Otar Iosseliani, France, 1983)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lj2zatdyhc2t\">Felk\u00e9sz\u00fcl\u00e9s meghat\u00e1rozatlan ideig tart\u00f3 egy\u00fcttl\u00e9tre<\/a> (<em>Preparations to Be Together for an Unknown Period of Time<\/em>, Lili Horv\u00e1t, Hungary, 2020)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lief7jl5ps2v\">Fine mrtve djevojke<\/a> (<em>Fine Dead Girls<\/em>, Dalibor Matani\u0107, Croatia, 2002)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lh45p63u7c2n\">Friss Leveg\u0151<\/a> (<em>Fresh Air<\/em>, \u00c1gnes Kocsis, Hungary, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lehvy26pwc2w\">Genesung<\/a> (<em>Recovery<\/em>, Konrad Wolf, East Germany, 1956)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljlhgc4pss2o\">Giorgobistve<\/a> (<em>Falling Leaves<\/em>,&nbsp;Otar Iosseliani, USSR, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lg5y27l54s2d\">Gosti iz galaksije<\/a> (<em>Visitors from the Arkana Galaxy<\/em>, Du\u0161an Vukoti\u0107, Yugoslavia\/Czechoslovakia, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lixeo7vey226\">Goya \u2013 oder der arge Weg der Erkenntnis<\/a>&nbsp;(<em>Goya , or The Hard Way to Enlightenment<\/em>, Konrad Wolf, East Germany\/USSR, 1971)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbxhc74wvc2i\">Gwiazdy musz\u0105 p\u0142on\u0105\u0107<\/a> (<em>Gwiazdy musz\u0105 p\u0142on\u0105\u0107<\/em>, Andrzej Munk, Poland, 1954)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljmmiqfwdc2v\">Hal\u00e1los tavasz<\/a> (<em>Deadly Spring<\/em>, L\u00e1szl\u00f3 Kalm\u00e1r, Hungary, 1939)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgfjydi6kc26\">Hndzan<\/a> (<em>Sour Grapes<\/em>, Bagrat Oganesyan, USSR, 1973)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lczffcwzxk2x\">Hortob\u00e1gy<\/a> (George Hoellering, Hungary, 1936)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgum77yeac2y\">Hullumeelsus<\/a> (<em>Madness<\/em>, Kaljo Kiisk, USSR, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lftwgeew622j\">Hyppolit, a lak\u00e1j <\/a>(<em>Hyppolit the Butler<\/em>, Istv\u00e1n Sz\u00e9kely, Hungary, 1931)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3liuq37qeb22s\">Ich war neunzehn<\/a> (<em>I Was Nineteen<\/em>, Konrad Wolf, East Germany, 1968)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljqf77i7kc2x\">Iko shashvi mgalobeli<\/a> (<em>Once Upon a Time There Was a Singing Blackbird<\/em>, Otar Iosseliani, USSR, 1970)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhsrro6ijk2t\">Iszka utaz\u00e1sa<\/a> (<em>Iska&#8217;s Journey<\/em>, Csaba Boll\u00f3k, Hungary, 2007)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldrepbqedk2l\">Jak se bud\u00ed princezny<\/a> (<em>How to Wake a Princess<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1978)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldjqn5ds7k2z\">Jak utopit dr. Mr\u00e1\u010dka aneb Konec vodn\u00edk\u016f v \u010cech\u00e1ch<\/a> (<em>How To Drown Dr Mr\u00e1\u010dek the Lawyer<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1974)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3legnqgyhns23\">J\u00e1, Olga Hepnarov\u00e1<\/a> (<em>I, Olga Hepnarov\u00e1<\/em>, Tom\u00e1\u0161 Weinreb\/Petr Kazda, Czech Republic, 2016)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leaeky3jq22u\">Jezern\u00ed kr\u00e1lovna<\/a> (<em>Queen of the Lake<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czech Republic\/Germany, 1998)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcueft2iqs2o\">Karaula<\/a> (<em>The Border Post<\/em>, Rajko Grli\u0107, Croatia\/Macedonia\/Slovenia\/Serbia and Montenegro\/Bosnia-Herzegovina, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ld2nkuszkk2w\">Kdo chce zab\u00edt Jessii?<\/a> (<em>Who Wants to Kill Jessie?<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lju5z77eac2z\">Kholodnoe leto pyat&#8217;desyat tret&#8217;ego<\/a> (<em>The Cold Summer of 1953<\/em>, Alexander Proshkin, 1988)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbuwudd5rs25\">Kierunek \u2013 Nowa Huta!<\/a> (<em>Destination Nowa Huta!<\/em>, Andrzej Munk, Poland, 1951)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbux726zfc25\">Kolejarskie s\u0142owo<\/a> (<em>The Railwayman&#8217;s Word<\/em>, Andrzej Munk, Poland, 1953)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ld562xlsk22e\">Konec agenta W4C prost\u0159ednictv\u00edm psa pana Foustky<\/a> (<em>The End of Agent W4C<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldkymbxztk25\">K\u00f6rhinta<\/a> (<em>Merry-Go-Round<\/em>, Zolt\u00e1n F\u00e1bri, Hungary, 1956)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le3eahsovc2d\">Kouzeln\u00fd m\u011b\u0161ec<\/a> (<em>The Magic Purse<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czech Republic\/Germany, 1996)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lecveh7egc2v\">Kr\u00e1l sokol\u016f<\/a> (<em>Thomas and the Falcon King<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Slovakia\/Czech Republic\/Poland\/Hungary\/Germany\/France, 2000)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3li4tnmv4p22d\">Krasnyye polyany<\/a> (<em>The Red Meadows<\/em>, Emil Loteanu, Moldova, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgs3ps6c5c2r\">Krvav\u00e1 pani<\/a> (<em>The Bloody Lady<\/em>, Viktor Kubal, Czechoslovakia, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lclkryjrdc2x\">Kryl&#8217;ya<\/a> (<em>Wings<\/em>, Larisa Shepitko, USSR, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leqpm3yq6s2y\">Krzy\u017c Walecznych <\/a> (<em>Cross of Valour<\/em>, Kazimierz Kutz, Poland, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcy5jdqrgk2k\">Ku\u0159ata na cest\u00e1ch<\/a> (<em>Chicken on Travels<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1962)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcvmmziaqs26\">Larisa<\/a> (Elem Klimov, USSR, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lddh7csvfs2x\">Latcho Drom<\/a> (Tony Gatlif, France, 1993)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfmf3snqns2w\">Lepa sela lepo gore<\/a> (<em>Pretty Village, Pretty Flame<\/em>, Sr\u0111an Dragojevi\u0107, Yugoslavia, 1996) <\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhnqwy26lc27\">Leptirica<\/a> (<em>The She-Butterfly<\/em>, \u0110or\u0111e Kadijevi\u0107, Yugoslavia, 1973)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbc33enc3s2k\">Letyat zhuravli<\/a> (<em>The Cranes Are Flying<\/em>, Mikhail Kalatozov, USSR, 1957)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leuicel2522l\">Leute mit Fl\u00fcgeln<\/a> (<em>People with Wings<\/em>, Konrad Wolf, East Germany, 1960)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljwohzl4bc2w\">Libertate<\/a> (<em>Freedom,&nbsp;<\/em>Tudor Giurgiu, Romania\/Hungary, 2023)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lekghtegqc22\">Lissy<\/a> (Konrad Wolf, East Germany, 1957)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lj4jzlk4yk2l\">Mama, ich lebe<\/a> (<em>Mama, I&#8217;m Alive<\/em>, Konrad Wolf, East Germany\/USSR, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcy5lk5r522k\">Marie<\/a> (V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbypbgasek2b\">Mest&#8217; kinematograficheskogo operatora<\/a> (<em>The Cameraman&#8217;s Revenge<\/em>, W\u0142adys\u0142aw Starewicz, Russia, 1912)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldmbqtf7g22w\">Mlad\u00e9 v\u00edno<\/a> (<em>Young Wine<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1986)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfovbusfgc2z\">Moartea domnului L\u0103z\u0103rescu<\/a> (<em>The Death of Mr Lazarescu<\/em>, Cristi Puiu, Romania, 2005)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfwgurr2fc2y\">Moje wspania\u0142e \u017cycie<\/a> (<em>My Wonderful Life<\/em>, \u0141ukasz Grzegorzek, Poland, 2021)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lg5y27l54s2d\">Monstrum z galaxie Arkana<\/a> (<em>Visitors from the Arkana Galaxy<\/em>, Du\u0161an Vukoti\u0107, Yugoslavia\/Czechoslovakia, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfrfoq3rks2k\">Morgiana<\/a> (Juraj Herz, Czechoslovakia, 1972)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljf5j4kbys2q\">Mystery-Bouffe<\/a> (David Cherkasskiy, USSR, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldv2i4shfk2g\">N\u00e4htamatu v\u00f5itlus<\/a> (<em>The Invisible Fight<\/em>, Rainer Sarnet, Estonia\/Latvia\/Greece\/Finland, 2023)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lf7sgig5l22l\">Navesni<\/a> (<em>In Spring<\/em>, Mikhail Kaufman, USSR, 1929)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcfbqavgb22r\">Nevinost bez za\u0161tite<\/a> (<em>Innocence Unprotected<\/em>, Du\u0161an Makavejev, Yugoslavia, 1968)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcaaoy7ujc2u\">Ni\u010dija zemlja<\/a> (<em>No Man&#8217;s Land<\/em>, Danis Tanovi\u0107, Bosnia-Herzegovina\/France\/Slovenia\/UK\/Belgium)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldxkwye5cc2i\">Nichnyy viznyk <\/a>(<em>The Night Coachman<\/em>, Heorhii Tasin, USSR, 1928)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbzxjcwpgk27\">Niedzelny poranek<\/a> (<em>One Sunday Morning<\/em>, Andrzej Munk, Poland, 1955)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3livyfplw6c2y\">Nimed marmortahvlil<\/a> (<em>Names in Marble<\/em>, Elmo N\u00fcganen, Estonia\/Finland, 2002)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcrtx7aat22k\">No\u010dn\u00ed jazdci<\/a> (<em>Night Riders<\/em>, Martin Holl\u00fd, Czechoslovakia, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldxkwye5cc2i\">Nochnoy izvozchik <\/a>(<em>The Night Coachman<\/em>, Heorhii Tasin, USSR, 1928)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhvcbj2wcs2b\">Orizont<\/a> (<em>Horizon<\/em>, Marian Cri\u015fan, Romania, 2015)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ld6iatxgpk2p\">Osenniy marafon<\/a> (<em>Autumn Marathon<\/em>, Georgiy Daneliya, USSR, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3liqxf7zcrc2k\">O var\u0103 de neuitat<\/a> (<em>An Unforgettable Summer<\/em>, Lucian Pintilie, France\/Romania, 1994)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbuwz5aad225\">Pami\u0119tniki ch\u0142op\u00f3w<\/a> (<em>Peasant Diaries<\/em>, Andrzej Munk, Poland, 1952)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ld7ojiuyps2i\">Pane, vy jste vdova!<\/a> (<em>You Are a Widow, Sir!<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1970)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lg3jounkms2g\">Papierov\u00e9 hlavy<\/a> (<em>Paper Heads<\/em>, Du\u0161an Han\u00e1k, Slovakia\/Switzerland\/France\/Germany\/Czech Republic, 1995)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcdzfb2qus2i\">Pasa\u017cerka<\/a> (<em>Passenger<\/em>, Andrzej Munk\/Witold Lesiewicz, Poland, 1963)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljsvqe2a5c2z\">Pastorali<\/a> (<em>Pastorale<\/em>, Otar Iosseliani, USSR, 1975)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ligvlt3ktc2p\">Plemya<\/a> (<em>The Tribe<\/em>, Myroslav Slaboshpytskiy, Ukraine\/Netherlands, 2014)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgn6bovxok2w\">Pod gwiazd\u0105 frygijsk\u0105 <\/a>(<em>Under the Phrygian Star<\/em>, Jerzy Kawalerowicz, Poland, 1954)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lelos7whp225\">Posle smerti<\/a> (<em>After Death<\/em>, Yevgeny Bauer, Russia, 1915)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lchs2xki6c22\">Pozi\u021bia copilulu<\/a>i (<em>Child&#8217;s Pose<\/em>, C\u0103lin Peter Netzer, Romania, 2013)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmbz3btyrs2o\">Pripad Barnab\u00e1\u0161 Kos<\/a>&nbsp;(<em>The Barnab\u00e1\u0161 Kos<\/em> <em>Case<\/em>, Peter Solan, Czechoslovakia, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcy5732eks2k\">P\u0159\u00edpad Lup\u00ednek<\/a> (<em>The Lup\u00ednek<\/em> <em>Case<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1960)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldtyxqg3vs23\">Princ a Ve\u010dernice <\/a> (<em>The Prince and the Evening Star<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhir4xpnvs2h\">Priv\u016drzaniyat balon<\/a> (<em>The Tied-Up Balloon<\/em>, Binka Zhelyazkova, Bulgaria, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lewyrsb4cc2z\">Professor Mamlock<\/a> (Konrad Wolf, East Germany, 1961)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcvmspcegs26\">Proshchaniye<\/a> (<em>Farewell<\/em>, Elem Klimov, USSR, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgxxbuamds2m\">Pro urodov i lyudey<\/a> (<em>Of Freaks and Men<\/em>, Aleksei Balabanov, Russia, 1998)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lilwjxi5322x\">Przes\u0142uchanie<\/a> (<em>Interrogation<\/em>, Ryszard Bugajski, Poland, 1982)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le5u6pov5k2e\">Pt\u00e1k Ohniv\u00e1k<\/a> (<em>The Firebird<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czech Republic\/Germany, 1997)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbelk3jjrc27\">Rehepapp<\/a> (<em>November<\/em>, Rainer Sarnet, Estonia\/Netherlands\/Poland, 2017)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lej6765gms2e\">R.M.N.<\/a> (Cristian Mungiu, Romania\/France\/Belgium, 2022)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lco3ajlyu22l\">Rodina elektrichestva<\/a> (<em>The Homeland of Electricity<\/em>, Larisa Shepitko, USSR, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldwcu54jjk2b\">Rumburak<\/a> (V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1984)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgaipahakc2f\">S-a furat o bomb\u0103<\/a> (<em>A Bomb Was Stolen<\/em>, Ion Popescu-Gopo, Romania, 1962)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljdszda6b22s\">Sapovnela<\/a> (<em>\u10e1\u10d0\u10de\u10dd\u10d5\u10dc\u10d4\u10da\u10d0<\/em>,&nbsp;Otar Iosseliani, USSR, 1959)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhxsqyje6s2f\">Savr\u0161eni krug<\/a> (<em>The Perfect Circle<\/em>, Ademir Kenovi\u0107, Bosnia-Herzegovina, 1997)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljvg4wuqcs2w\">Sept pi\u00e8ces pour cin\u00e9ma noir et blanc<\/a> (<em>Seven Pieces for Black-and-White Cinema, <\/em>Otar Iosseliani<em>, <\/em>France, 1982)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcpdi7zhu22l\">Shashvi shashvi maq\u2019vali<\/a> (Blackbird Blackbird Blackberry, Elene Naveriani, Switzerland\/Georgia, 2023)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljrnijcgf226\">Shqiptari<\/a><em> (The Albanian<\/em>, Johannes Naber, Germany\/Albania, 2010)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le23gzk2e22d\">Slovenka<\/a> (<em>Slovenian Girl<\/em>, Damjan Kozole, Slovenia\/Serbia\/Germany\/Croatia\/Bosnia-Herzegovina, 2009)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldepkoaorc22\">Smrt si vyb\u00edr\u00e1<\/a> (<em>Death Chooses<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1972)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbr5wdn6w22s\">Sodr\u00e1sban<\/a> (<em>Current<\/em>, Istv\u00e1n Ga\u00e1l, Hungary, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lecveh7egc2v\">Sokoliar Tom\u00e1\u0161<\/a> (<em>Thomas and the Falcon King<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Slovakia\/Czech Republic\/Poland\/Hungary\/Germany\/France, 2000)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lj6tu2r5lc2g\">Solo Sunny<\/a> (Konrad Wolf, East Germany, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lephqsyxyc2y\">Sonnensucher<\/a> (<em>Sun Seekers<\/em>, Konrad Wolf, East Germany, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lc6ynpj6wk26\">Spacerek staromiejski<\/a> (<em>A Walk in the Old Town of Warsaw<\/em>, Andrzej Munk, Poland, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbm523y24s2g\">Spiklenci slasti<\/a> (<em>Conspirators of Pleasure<\/em>, Jan \u0160vankmajer, Czech Republic\/Switzerland\/UK, 1996)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljhlwqatts2x\">Stachka<\/a> (<em>Strike<\/em>, Sergei Eisenstein, USSR, 1925)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lerxxoqiu22g\">Sterne<\/a> (<em>Stars<\/em>, Konrad Wolf, East Germany, 1959)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lm7ik3olns2m\">Straume<\/a> (<em>Flow<\/em>, Gints Zilbalodis, Latvia\/France\/Belgium, 2024)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcwuuoce722i\">Streng Geheim<\/a> (<em>For Eyes Only<\/em>, J\u00e1nos Veiczi, East Germany, 1963)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lf5cpua4dc26\">Sve\u0107enikova djeca<\/a> (<em>The Priest&#8217;s Children<\/em>, Vinko Bre\u0161an, Croatia\/Serbia\/Montenegro, 2013)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldfxo64jik2x\">Sve d\u017eaba<\/a> (<em>All for Free<\/em>, Antonio Nui\u0107, Bosnia-Herzegovina\/Croatia\/Serbia, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmjminwl2c26\">Szabads\u00e1g, szerelem<\/a>&nbsp;(<em>Children of Glory<\/em>, Krisztina Goda, Hungary\/UK, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le4luh57mc2d\">Szeg\u00e9nyleg\u00e9nyek<\/a> (<em>The Round-Up<\/em>, Mikl\u00f3s Jancs\u00f3, Hungary, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ld3wdmqeh22f\">Sztuka kochania. Historia Michaliny Wis\u0142ockiej<\/a> (<em>The Art of Loving<\/em>, Maria Sadowska, Poland, 2017)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lghzuifkik2x\">Taxidermia<\/a> (Gy\u00f6rgy P\u00e1lfi, Hungary, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3laxz7jvmgc2c\">Test pilota Pirxa<\/a> (<em>Pilot Pirx&#8217;s Legacy<\/em>, Marek Piestrak, Estonia\/Poland, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfccw43ukc2f\">T\u00edzezer nap <\/a>(<em>Ten Thousand Suns<\/em>, Ferenc K\u00f3sa, Hungary, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lc37qdo3ik2r\">Tomka dhe shok\u00ebt e tij <\/a>(<em>Tomka and His Friends,<\/em> Xhanfise Keko, Albania, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhqbguih3s2w\">To nie m\u00f3j film<\/a> (<em>It&#8217;s Not My Film<\/em>, Maria Zb\u0105ska, Poland, 2024)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljk42736ds2f\">Traktor, ljubezen in Rock&#8217;n&#8217;Roll<\/a> (<em>Tractor, Love and Rock\u2019n\u2019Roll<\/em>, Branko \u0110uri\u0107, Slovenia\/Bosnia-Herzegovina, 2008)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljz6tkxt222p\">Transport z r\u00e1je<\/a>&nbsp;(<em>Transport from Paradise<\/em>, Zbyn\u011bk Brynych, Czechoslovakia, 1962)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldh7vrczl225\">T\u0159i o\u0159\u00ed\u0161ky pro Popelku<\/a> (<em>T\u0159i o\u0159\u00ed\u0161ky pro Popelku<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1973)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhdoyevcq224\">Trys dienos<\/a> (<em>Three Days<\/em>, \u0160ar\u016bnas Bartas, Lithuania, 1992)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljitucpz622u\">Tudzhi<\/a> (<em>Cast Iron<\/em>, Otar Iosseliani, USSR, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhbaba2a222v\">Turksib<\/a> (Viktor Turin, USSR, 1929)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcqlpdibrc2d\">Ty i ya<\/a> (<em>You and Me<\/em>, Larisa Shepitko, USSR, 1971)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3liyirlbal22x\">Tyli naktis<\/a> (<em>Christmas. Uncensored<\/em>, M\u0101ris Martinsons, Lithuania, 2012)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgzn5finzs2a\">Ucho<\/a> (<em>The Ear<\/em>, Karel Kachy\u0148a, Czechoslovakia, 1970)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lithxafvfs2r\">Uloupen\u00e1 hranice<\/a> (<em>The Stolen Border<\/em>, Ji\u0159\u00ed Weiss, Czechoslovakia, 1947)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmm4433w5k2h\">Valerie a t\u00fdden div\u016f<\/a>\u00a0(<em>Valerie and Her Week of Wonders<\/em>, Jaromil Jire\u0161, Czechoslovakia, 1970)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lja26bkg3k2x\">Variola Vera<\/a> (Goran Markovi\u0107, Yugoslavia, 1982)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmh224vtz22g\">Vasilisa Prekrasnaya<\/a>&nbsp;(<em>Vassilisa the Beautiful<\/em>, Aleksandr Rou, USSR, 1939)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leo7b7uayk2g\">Vechir na Ivana Kupala<\/a> (<em>The Eve of Ivan Kupalo<\/em>, Yuri Ilyenko, USSR, 1968)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbjmi27k7k2v\">Velnio nuotaka<\/a> (<em>The Devil&#8217;s Bride<\/em>, Ar\u016bnas \u017debri\u016bnas, Lithuania, 1974)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lf7sgig5l22l\">Vesnoy<\/a> (<em>In Spring<\/em>, Mikhail Kaufman, USSR, 1929)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfjv4msmu22b\">Vlcie diery<\/a> (<em>Wolves&#8217; Lairs<\/em>, Pa\u013eo Bielik, Czechoslovakia, 1948)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lct4cvgeqc2p\">Voskhozhdeniye<\/a> (<em>The Ascent<\/em>, Larisa Shepitko, USSR, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lco3gin7vk2l\">V trinadtsatom chasu nochi<\/a> (<em>In the Thirteenth Hour of the Night<\/em>, Larisa Shepitko, USSR, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leyayyfoe22z\">Vra\u017eda ing. \u010certa<\/a> (<em>Murdering the Devil<\/em>, Ester Krumbachov\u00e1, Czechoslovakia, 1970)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldnj3dbjl22w\">Wojna swiat\u00f3w \u2013 nast\u0119pne stulecie<\/a> (<em>War of the Worlds \u2013 Next Century<\/em>, Piotr Szulkin, Poland, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3levqlo64hc2s\">Z\u00e1hrada<\/a> (<em>The Garden<\/em>, Martin \u0160ul\u00edk, Slovakia\/France\/Czech Republic, 1995)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfhe46olr22k\">Zaveshchaniye professora Douelya<\/a> (<em>Professor Dowell&#8217;s Testament<\/em>, Leonid Menaker, USSR, 1984)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldsk3yznc22t\">Zerkalo<\/a> (<em>Mirror<\/em>, Andrei Tarkovsky, USSR, 1975)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcbiwik5gc24\">Zezowate szcz\u0119\u015bcie<\/a> (<em>Bad Luck<\/em>, Andrzej Munk, Andrzej Munk, Poland, 1960)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lboni3jwyc2p\">Zift<\/a> (Javor Gardev, Bulgaria, 2008)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcmt4uwj522b\">Z\u00edtra vstanu a opa\u0159\u00edm se \u010dajem<\/a> (<em>Tomorrow I&#8217;ll Wake Up and Scald Myself with Tea<\/em>, Jind\u0159ich Pol\u00e1k, Czechoslovakia, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcgk2jzsgk2g\">Znoy<\/a> (<em>Heat<\/em>, Larisa Shepitko, USSR, 1963)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldmbpe3xlk2w\">Zral\u00e9 v\u00edno<\/a> (<em>Mature Wine<\/em>, V\u00e1clav Vorl\u00ed\u010dek, Czechoslovakia, 1981)<\/li>\n<\/ul>\n\n\n\n<p class=\"is-style-text-subtitle has-large-font-size is-style-text-subtitle--1 wp-block-paragraph\" style=\"border-style:none;border-width:0px\"><strong>Cyrillic Titles<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljbcig74m22o\">\u0410\u043a\u0432\u0430\u0440\u0435\u043b\u044c<\/a> (<em>Watercolour<\/em>, Otar Iosseliani, USSR, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgx4uof5ec2b\">\u0410\u0442\u043b\u0430\u043d\u0442\u0438\u0434\u0430<\/a> (<em>Atlantis<\/em>, Valentyn Vasyanovych, Ukraine, 2019)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfyzixf5uc2m\">\u0411\u0430\u043b\u043b\u0430\u0434\u0430 \u043e \u0441\u043e\u043b\u0434\u0430\u0442\u0435<\/a> (<em>Ballad of a Soldier<\/em>, Grigori Chukhrai, USSR, 1959)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lja26bkg3k2x\">\u0412\u0430\u0440\u0438\u043e\u043b\u0430 \u0432\u0435\u0440\u0430<\/a> (<em>Variola Vera<\/em>, Goran Markovi\u0107, Yugoslavia, 1982)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmh224vtz22g\">\u0412\u0430\u0441\u0438\u043b\u0438\u0441\u0430 \u041f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u0430\u044f<\/a>&nbsp;(<em>Vassilisa the Beautiful<\/em>, Aleksandr Rou, USSR, 1939)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lf7sgig5l22l\">\u0412\u0435\u0441\u043d\u043e\u0439<\/a> (<em>In Spring<\/em>, Mikhail Kaufman, USSR, 1929)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leo7b7uayk2g\">\u0412\u0435\u0447\u0456\u0440 \u043d\u0430 \u0406\u0432\u0430\u043d\u0430 \u041a\u0443\u043f\u0430\u043b\u0430<\/a> (<em>The Eve of Ivan Kupalo<\/em>, Yuri Ilyenko, USSR, 1968)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lct4cvgeqc2p\">\u0412\u043e\u0441\u0445\u043e\u0436\u0434\u0435\u043d\u0438\u0435<\/a> (<em>The Ascent<\/em>, Larisa Shepitko, USSR, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lco3gin7vk2l\">\u0412 \u0442\u0440\u0438\u043d\u0430\u0434\u0446\u0430\u0442\u043e\u043c \u0447\u0430\u0441\u0443 \u043d\u043e\u0447\u0438<\/a> (<em>In the Thirteenth Hour of the Night<\/em>, Larisa Shepitko, USSR, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lboni3jwyc2p\">\u0414\u0437\u0438\u0444\u0442<\/a> (<em>Zift<\/em>, Javor Gardev, Bulgaria, 2008)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lee5rciavk26\">\u0414\u0438\u043a\u0430\u044f \u043e\u0445\u043e\u0442\u0430 \u043a\u043e\u0440\u043e\u043b\u044f \u0421\u0442\u0430\u0445\u0430<\/a> (<em>The Savage Hunt of King Stakh<\/em>, Valeriy Rubinchik, USSR, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3libunqj2yc2f\">\u0414\u043e\u043c\u0430\u045c\u0438\u043d\u0441\u0442\u0432\u043e \u0437\u0430 \u043f\u043e\u0447\u0435\u0442\u043d\u0438\u0446\u0438<\/a> (<em>Housekeeping for Beginners<\/em>, Goran Stolevski, North Macedonia\/Australia\/Croatia\/Kosovo\/Poland\/Serbia\/US, 2023)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbw6snna6s24\">\u0414\u043e\u043d\u0431\u0430\u0441\u0441<\/a> (<em>Donbass<\/em>, Sergei Loznitsa France\/Germany\/Netherlands\/Romania\/Ukraine, 2018)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldaxpbocjc2c\">20 \u0434\u043d\u0456\u0432 \u0443 \u041c\u0430\u0440\u0456\u0443\u043f\u043e\u043b\u0456<\/a> (<em>Twenty Days in Mariupol<\/em>, Mstyslav Chernov, Ukraine, 2023)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcgk2jzsgk2g\">\u0417\u043d\u043e\u0439<\/a> (<em>Heat<\/em>, Larisa Shepitko, USSR, 1963)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcueft2iqs2o\">\u041a\u0430\u0440\u0430\u0443\u043b\u0430<\/a> (<em>The Border Post<\/em>, Rajko Grli\u0107, Croatia\/Macedonia\/Slovenia\/Serbia and Montenegro\/Bosnia-Herzegovina, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3li4tnmv4p22d\">\u041a\u0440\u0430\u0441\u043d\u044b\u0435 \u043f\u043e\u043b\u044f\u043d\u044b&nbsp;<\/a> (<em>The Red Meadows<\/em>, Emil Loteanu, USSR, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lclkryjrdc2x\">\u041a\u0440\u044b\u043b\u044c\u044f<\/a> (<em>Wings<\/em>, Larisa Shepitko, USSR, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcvmmziaqs26\">\u041b\u0430\u0440\u0438\u0301\u0441\u0430<\/a> (<em>Larisa<\/em>, Elem Klimov, USSR, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfmf3snqns2w\">\u041b\u0435\u043f\u0430 \u0441\u0435\u043b\u0430 \u043b\u0435\u043f\u043e \u0433\u043e\u0440\u0435<\/a> (<em>Pretty Village, Pretty Flame<\/em>, Sr\u0111an Dragojevi\u0107, Yugoslavia, 1996) <\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhnqwy26lc27\">\u041b\u0435\u043f\u0442\u0438\u0440\u0438\u0446\u0430<\/a> (<em>Leptirica\/The She-Butterfly<\/em>, \u0110or\u0111e Kadijevi\u0107, Yugoslavia, 1973)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbc33enc3s2k\">\u041b\u0435\u0442\u044f\u0442 \u0436\u0443\u0440\u0430\u0432\u043b\u0438<\/a> (<em>The Cranes Are Flying<\/em>, Mikhail Kalatozov, USSR, 1957)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbypbgasek2b\">\u041c\u0435\u0441\u0442\u044c \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043e\u043f\u0435\u0440\u0430\u0442\u043e\u0440\u0430<\/a> (<em>The Cameraman&#8217;s Revenge<\/em>, W\u0142adys\u0142aw Starewicz, Russia, 1912)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljf5j4kbys2q\">\u041c\u0456\u0441\u0442\u0435\u0440\u0456\u044f-\u0431\u0443\u0444<\/a> (<em>Mystery-Bouffe<\/em> , David Cherkasskiy, USSR, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lf7sgig5l22l\">\u041d\u0430\u0432\u0435\u0441\u043d\u0456<\/a> (<em>In Spring<\/em>, Mikhail Kaufman, USSR, 1929)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldxkwye5cc2i\">\u041d\u0456\u0447\u043d\u0438\u0439 \u0432\u0456\u0437\u043d\u0438\u043a <\/a>(<em>The Night Coachman<\/em>, Heorhii Tasin, USSR, 1928)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldxkwye5cc2i\">\u041d\u043e\u0447\u043d\u043e\u0439 \u0438\u0437\u0432\u043e\u0437\u0447\u0438\u043a <\/a>(<em>The Night Coachman<\/em>, Heorhii Tasin, USSR, 1928)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ld6iatxgpk2p\">\u041e\u0441\u0435\u043d\u043d\u0438\u0439 \u043c\u0430\u0440\u0430\u0444\u043e\u043d<\/a> (<em>Autumn Marathon<\/em>, Georgiy Daneliya, USSR, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ligvlt3ktc2p\">\u041f\u043b\u0435\u043c&#8217;\u044f<\/a> (<em>The Tribe<\/em>, Myroslav Slaboshpytskiy, Ukraine\/Netherlands, 2014)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lelos7whp225\">\u041f\u043e\u0441\u043b\u0435 \u0441\u043c\u0435\u0440\u0442\u0438<\/a> (<em>After Death<\/em>, Yevgeny Bauer, Russia, 1915)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhir4xpnvs2h\">\u041f\u0440\u0438\u0432\u044a\u0440\u0437\u0430\u043d\u0438\u044f\u0442 \u0431\u0430\u043b\u043e\u043d<\/a> (<em>The Tied-Up Balloon<\/em>, Binka Zhelyazkova, Bulgaria, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcvmspcegs26\">\u041f\u0440\u043e\u0449\u0430\u043d\u0438\u0435<\/a> (<em>Farewell<\/em>, Elem Klimov, USSR, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgxxbuamds2m\">\u041f\u0440\u043e \u0443\u0440\u043e\u0434\u043e\u0432 \u0438 \u043b\u044e\u0434\u0435\u0439<\/a> (<em>Of Freaks and Men<\/em>, Aleksei Balabanov, Russia, 1998)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lco3ajlyu22l\">\u0420\u043e\u0434\u0438\u043d\u0430 \u044d\u043b\u0435\u043a\u0442\u0440\u0438\u0447\u0435\u0441\u0442\u0432\u0430<\/a> (<em>The Homeland of Electricity<\/em>, Larisa Shepitko, USSR, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljhlwqatts2x\">\u0421\u0442\u0430\u0447\u043a\u0430<\/a> (<em>Strike<\/em>, Sergei Eisenstein, USSR, 1925)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhbaba2a222v\">\u0422\u0443\u0440\u043a\u0441\u0438\u0431<\/a> (<em>Turksib<\/em>, Viktor Turin, USSR, 1929)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcqlpdibrc2d\">\u0422\u044b \u0438 \u044f<\/a> (<em>You and Me<\/em>, Larisa Shepitko, USSR, 1971)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lju5z77eac2z\">\u0425\u043e\u043b\u043e\u0434\u043d\u043e\u0435 \u043b\u0435\u0442\u043e \u043f\u044f\u0442\u044c\u0434\u0435\u0441\u044f\u0442 \u0442\u0440\u0435\u0442\u044c\u0435\u0433\u043e<\/a><em> (The Cold Summer of 1953<\/em>, Alexander Proshkin, USSR, 1988)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfhe46olr22k\">\u0417\u0430\u0432\u0435\u0449\u0430\u043d\u0438\u0435 \u043f\u0440\u043e\u0444\u0435\u0441\u0441\u043e\u0440\u0430 \u0414\u043e\u0443\u044d\u043b\u044f<\/a> (<em>Professor Dowell&#8217;s Testament<\/em>, Leonid Menaker, USSR, 1984)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldsk3yznc22t\">\u0417\u0435\u0440\u043a\u0430\u043b\u043e<\/a> (<em>Mirror<\/em>, Andrei Tarkovsky, USSR, 1975)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Armenian Titles<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3li2d6fh4us2s\">\u0531\u057a\u0580\u056b\u056c<\/a> (<em>April<\/em>, Vigen Chaldranyan, USSR, 1985)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgfjydi6kc26\">\u0540\u0576\u0571\u0561\u0576<\/a> (<em>Sour Grapes<\/em>, Bagrat Oganesyan, USSR, 1973)<\/li>\n<\/ul>\n\n\n\n<p class=\"has-large-font-size wp-block-paragraph\"><strong>Georgian Titles<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljgdemjn522c\">\u10d0\u10de\u10e0\u10d8\u10da\u10d8<\/a> (<em>April<\/em>, Otar Iosseliani, USSR, 1961)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lebmv6dsn22x\">\u10d0\u10e8\u10d8\u10d9-\u10e5\u10d4\u10e0\u10d8\u10d1\u10d8<\/a> (<em>Ashik Kerib,<\/em> Sergei Parajanov, USSR, 1988)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgkl7tdhbk2j\">\u10d3\u10d0\u10e1\u10d0\u10ec\u10e7\u10d8\u10e1\u10d8<\/a> (<em>Beginning<\/em>, D\u00e9a Kulumbegashvili, Georgia\/France, 2020)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljnusszwjs2e\">\u10eb\u10d5\u10d4\u10da\u10d8 \u10e5\u10d0\u10e0\u10d7\u10e3\u10da\u10d8 \u10e1\u10d8\u10db\u10e6\u10d4\u10e0\u10d0<\/a> (<em>Georgian Ancient Songs<\/em>, Otar Iosseliani, USSR, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljlhgc4pss2o\">\u10d2\u10d8\u10dd\u10e0\u10d2\u10dd\u10d1\u10d8\u10e1\u10d7\u10d5\u10d4<\/a> (<em>Falling Leaves<\/em>,&nbsp;Otar Iosseliani, USSR, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljqf77i7kc2x\">\u10d8\u10e7\u10dd \u10e8\u10d0\u10e8\u10d5\u10d8 \u10db\u10d2\u10d0\u10da\u10dd\u10d1\u10d4\u10da\u10d8<\/a> (<em>Once Upon a Time There Was a Singing Blackbird<\/em>, Otar Iosseliani, USSR, 1970)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljsvqe2a5c2z\">\u10de\u10d0\u10e1\u10e2\u10dd\u10e0\u10d0\u10da\u10d8<\/a> (<em>Pastorale<\/em>, Otar Iosseliani, USSR, 1975)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljdszda6b22s\">\u10e1\u10d0\u10de\u10dd\u10d5\u10dc\u10d4\u10da\u10d0<\/a> (<em>Sapovnela<\/em>,&nbsp;Otar Iosseliani, USSR, 1959)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcpdi7zhu22l\">\u10e8\u10d0\u10e8\u10d5\u10d8 \u10e8\u10d0\u10e8\u10d5\u10d8 \u10db\u10d0\u10e7\u10d5\u10d0\u10da\u10d8<\/a> (<em>Blackbird Blackbird Blackberry<\/em>, Elene Naveriani, Switzerland\/Georgia, 2023)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljitucpz622u\">\u10d7\u10e3\u10ef\u10d8<\/a> (<em>Cast Iron<\/em>, Otar Iosseliani, USSR, 1964)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>English Title Index&nbsp;\/ Directors Index \/&nbsp;Chronological Index \/ Countries Index Cyrillic Titles Armenian Titles Georgian Titles<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-351","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Original Title Index - Michael Brooke - Bluesky Index<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/michaelbrooke.com\/bluesky\/original-title-index\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Original Title Index - Michael Brooke - Bluesky Index\" \/>\n<meta property=\"og:description\" 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