{"id":357,"date":"2025-02-22T18:05:37","date_gmt":"2025-02-22T18:05:37","guid":{"rendered":"https:\/\/michaelbrooke.com\/bluesky\/?page_id=357"},"modified":"2025-04-12T09:41:01","modified_gmt":"2025-04-12T08:41:01","slug":"countries-index","status":"publish","type":"page","link":"https:\/\/michaelbrooke.com\/bluesky\/countries-index\/","title":{"rendered":"Countries Index"},"content":{"rendered":"\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/michaelbrooke.com\/bluesky\/english-title-index\/\">English Title Index<\/a> \/ <a href=\"https:\/\/michaelbrooke.com\/bluesky\/original-title-index\/\">Original Title Index<\/a> \/ <a href=\"https:\/\/michaelbrooke.com\/bluesky\/directors-index\/\">Directors Index <\/a>\/ <a href=\"https:\/\/michaelbrooke.com\/bluesky\/chronological-index\/\">Chronological Index<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Albania<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lc37qdo3ik2r\">Tomka and His Friends<\/a> (<em>Tomka dhe shok\u00ebt e tij<\/em>, Xhanfise Keko, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljrnijcgf226\">The Albanian<\/a><em> (Shqiptari<\/em>, Johannes Naber, 2010)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Armenia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgfjydi6kc26\">Sour Grapes<\/a> (<em>\u0540\u0576\u0571\u0561\u0576<\/em>, Bagrat Oganesyan, 1973)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3li2d6fh4us2s\">April<\/a> (<em>\u0531\u057a\u0580\u056b\u056c<\/em>, Vigen Chaldranyan, 1985)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Azerbaijan<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lebmv6dsn22x\">Ashik Kerib<\/a> (<em>\u10d0\u10e8\u10d8\u10d9-\u10e5\u10d4\u10e0\u10d8\u10d1\u10d8<\/em>, Sergei Parajanov, 1988)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Belarus<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lee5rciavk26\">The Savage Hunt of King Stakh<\/a> (<em>\u0414\u0438\u043a\u0430\u044f \u043e\u0445\u043e\u0442\u0430 \u043a\u043e\u0440\u043e\u043b\u044f \u0421\u0442\u0430\u0445<\/em>\u0430, Valeriy Rubinchik, 1979)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bosnia-Herzegovina<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhxsqyje6s2f\">The Perfect Circle<\/a> (<em>Savr\u0161eni krug<\/em>, Ademir Kenovi\u0107, 1997)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcaaoy7ujc2u\">No Man&#8217;s Land<\/a> (<em>Ni\u010dija zemlja<\/em>, Danis Tanovi\u0107, 2001)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldfxo64jik2x\">All for Free<\/a> (<em>Sve d\u017eaba<\/em>, Antonio Nui\u0107, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcueft2iqs2o\">The Border Post<\/a> (<em>Karaula<\/em>, Rajko Grli\u0107, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljk42736ds2f\">Tractor, Love and Rock&#8217;n&#8217;Roll<\/a> (<em>Traktor, ljubezen in Rock\u2019n\u2019Roll<\/em>, Branko \u0110uri\u0107, 2008)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le23gzk2e22d\">Slovenian Girl<\/a> (<em>Slovenka<\/em>, Damjan Kozole, 2009)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bulgaria<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhir4xpnvs2h\">The Tied-Up Balloon<\/a> (<em>\u041f\u0440\u0438\u0432\u044a\u0440\u0437\u0430\u043d\u0438\u044f\u0442 \u0431\u0430\u043b\u043e\u043d<\/em>, Binka Zhelyazkova, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lboni3jwyc2p\">Zift<\/a> (<em>\u0414\u0437\u0438\u0444\u0442<\/em>, Javor Gardev, 2008)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Croatia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lief7jl5ps2v\">Fine Dead Girls<\/a> (<em>Fine mrtve djevojke<\/em>, Dalibor Matani\u0107, 2002)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldfxo64jik2x\">All for Free<\/a> (<em>Sve d\u017eaba<\/em>, Antonio Nui\u0107, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcueft2iqs2o\">The Border Post<\/a> (<em>Karaula<\/em>, Rajko Grli\u0107, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le23gzk2e22d\">Slovenian Girl<\/a> (<em>Slovenka<\/em>, Damjan Kozole, 2009)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lf5cpua4dc26\">The Priest&#8217;s Children<\/a> (<em>Sve\u0107enikova djeca<\/em>, Vinko Bre\u0161an, 2013)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3libunqj2yc2f\">Housekeeping for Beginners<\/a> (\u0414\u043e\u043c\u0430\u045c\u0438\u043d\u0441\u0442\u0432\u043e \u0437\u0430 \u043f\u043e\u0447\u0435\u0442\u043d\u0438\u0446\u0438, Goran Stolevski, 2023)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Czechoslovakia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3li7fxiuhmk2q\">Erotikon<\/a> (Gustav Machat\u00fd, Czechoslovakia, 1929)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lithxafvfs2r\">The Stolen Border<\/a> (<em>Uloupen\u00e1 hranice<\/em>, Ji\u0159\u00ed Weiss, 1947)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfjv4msmu22b\">Wolves&#8217; Lairs<\/a> (<em>Vlcie diery<\/em>, Pa\u013eo Bielik, 1948)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhlam3e5uc2y\">Journey to the Beginning of Time<\/a> (<em>Cesta do prav\u011bku<\/em>, Karel Zeman, 1955)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljckojzi3c2z\">The Devil Never Sleeps <\/a>(<em>\u010cert nesp\u00ed<\/em> , Peter Solan\/Franti\u0161ek \u017d\u00e1\u010dek, 1956)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcy5732eks2k\">The Lup\u00ednek Case<\/a> (<em>P\u0159\u00edpad Lup\u00ednek<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1960)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3liogvqjprs2b\">The Boxer and Death<\/a> (<em>Boxer a smr\u0165<\/em>, Peter Solan, 1962)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcy5jdqrgk2k\">Chicken on Travels<\/a> (<em>Ku\u0159ata na cest\u00e1ch<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1962)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmbz3btyrs2o\">The Barnab\u00e1\u0161 Kos Case<\/a>&nbsp;(<em>Pripad Barnab\u00e1\u0161 Kos<\/em>, Peter Solan, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lb2jom5lqk2h\">Diamonds of the Night<\/a>&nbsp;(<em>D\u00e9manty noci<\/em>, Jan N\u011bmec, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcy5lk5r522k\">Marie<\/a> (V\u00e1clav Vorl\u00ed\u010dek, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ld2nkuszkk2w\">Who Wants to Kill Jessie?<\/a> (<em>Kdo chce zab\u00edt Jessii?<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldii52i7gc2z\">Dragon&#8217;s Return<\/a> (<em>Drak sa vracia<\/em>, Eduard Gre\u010dner, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ld562xlsk22e\">The End of Agent W4C<\/a> (<em>Konec agenta W4C prost\u0159ednictv\u00edm psa pana Foustky<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgzn5finzs2a\">The Ear<\/a> (<em>Ucho<\/em>, Karel Kachy\u0148a, 1970)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leyayyfoe22z\">Murdering the Devil<\/a> (<em>Vra\u017eda ing. \u010certa<\/em>, Ester Krumbachov\u00e1, 1970)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmm4433w5k2h\">Valerie and Her Week of Wonders<\/a>\u00a0(<em>Valerie a t\u00fdden div\u016f<\/em>, Jaromil Jire\u0161, 1970)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ld7ojiuyps2i\">You Are a Widow, Sir!<\/a> (<em>Pane, vy jste vdova!<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1970)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldc6xp4mh22u\">The Girl on the Broomstick<\/a> (<em>D\u00edvka na ko\u0161t\u011bti<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1971)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldepkoaorc22\">Death Chooses<\/a> (<em>Smrt si vyb\u00edr\u00e1<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1972)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfrfoq3rks2k\">Morgiana<\/a> (Juraj Herz, 1972)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldh7vrczl225\">Three Wishes for Cinderella<\/a> (<em>T\u0159i o\u0159\u00ed\u0161ky pro Popelku<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1973)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldjqn5ds7k2z\">How To Drown Dr Mr\u00e1\u010dek the Lawyer<\/a> (<em>Jak utopit dr. Mr\u00e1\u010dka aneb Konec vodn\u00edk\u016f v \u010cech\u00e1ch<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1974)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldmblvy5uk2w\">Two Men Report Arrival<\/a> (<em>Dva mu\u017ei hl\u00e1s\u00ed p\u0159\u00edchod<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1975)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldmbnj7opk2w\">Wine Working<\/a> (<em>Bou\u0159liv\u00e9 v\u00edno<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1976)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldorgsntr22n\">How About a Plate of Spinach?<\/a> (<em>Co\u017e takhle d\u00e1t si \u0161pen\u00e1t<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcmt4uwj522b\">Tomorrow I&#8217;ll Wake Up and Scald Myself with Tea<\/a> (<em>Z\u00edtra vstanu a opa\u0159\u00edm se \u010dajem<\/em>, Jind\u0159ich Pol\u00e1k, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldrepbqedk2l\">How to Wake a Princess<\/a> (<em>Jak se bud\u00ed princezny<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1978)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldtyxqg3vs23\">The Prince and the Evening Star<\/a> (<em>Princ a Ve\u010dernice<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldwcu54jjk2b\">Arabela<\/a> (V\u00e1clav Vorl\u00ed\u010dek, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgs3ps6c5c2r\">The Bloody Lady<\/a> (<em>Krvav\u00e1 pani<\/em>, Viktor Kubal, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldmbpe3xlk2w\">Mature Wine<\/a> (<em>Zral\u00e9 v\u00edno<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcrtx7aat22k\">Night Riders<\/a> (<em>No\u010dn\u00ed jazdci<\/em>, Martin Holl\u00fd, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lg5y27l54s2d\">Visitors from the Arkana Galaxy<\/a> (<em>Gosti iz galaksije<\/em>, Du\u0161an Vukoti\u0107, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhg7ipfpk22l\">Down to the Cellar<\/a> (<em>Do pivnice<\/em>, Jan \u0160vankmajer, 1983)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldwcu54jjk2b\">Rumburak<\/a> (V\u00e1clav Vorl\u00ed\u010dek, 1984)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldmbqtf7g22w\">Young Wine<\/a> (<em>Mlad\u00e9 v\u00edno<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 1986)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lc5qfqtcyk2i\">A Path Across the Danube<\/a> (<em>Chodn\u00edk cez Dunaj<\/em>, Miloslav Luther, 1989)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Czech Republic<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3levqlo64hc2s\">The Garden<\/a> (<em>Z\u00e1hrada<\/em>, Martin \u0160ul\u00edk, 1995)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lg3jounkms2g\">Paper Heads<\/a> (<em>Papierov\u00e9 hlavy<\/em>, Du\u0161an Han\u00e1k, 1995)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbm523y24s2g\">Conspirators of Pleasure<\/a> (<em>Spiklenci slasti<\/em>, Jan \u0160vankmajer, 1996)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le3eahsovc2d\">The Magic Purse<\/a> (<em>Kouzeln\u00fd m\u011b\u0161ec<\/em>, 1996)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le5u6pov5k2e\">The Firebird<\/a> (<em>Pt\u00e1k Ohniv\u00e1k<\/em>, 1997)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leaeky3jq22u\">Queen of the Lake<\/a> (<em>Jezern\u00ed kr\u00e1lovna<\/em>, 1998)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lecveh7egc2v\">Thomas and the Falcon King<\/a> (<em>Kr\u00e1l sokol\u016f<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 2000)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgcz5qb5zs2o\">Alois Nebel<\/a> (Tom\u00e1\u0161 Lu\u0148\u00e1k, 2011)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3legnqgyhns23\">I, Olga Hepnarov\u00e1<\/a> (<em>J\u00e1, Olga Hepnarov\u00e1<\/em>\u2028, Tom\u00e1\u0161 Weinreb\/Petr Kazda, 2016)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>East Germany<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leffsm3z5k2f\">Once is Never<\/a> (<em>Einmal ist keinmal<\/em>, Konrad Wolf, 1955)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lehvy26pwc2w\">Recovery<\/a> (<em>Genesung<\/em>, Konrad Wolf, 1956)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbtodyfsx22p\">Berlin, Schoenhauser Corner<\/a> (<em>Berlin \u2013 Ecke Sch\u00f6nhauser<\/em>, Gerhard Klein, 1957)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lekghtegqc22\">Lissy<\/a> (Konrad Wolf, 1957)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lephqsyxyc2y\">Sun Seekers<\/a> (<em>Sonnensucher<\/em>, Konrad Wolf, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lerxxoqiu22g\">Stars<\/a> (<em>Sterne<\/em>, Konrad Wolf, 1959)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leuicel2522l\">People with Wings<\/a> (<em>Leute mit Fl\u00fcgeln<\/em>, Konrad Wolf, 1960)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lewyrsb4cc2z\">Professor Mamlock<\/a> (Konrad Wolf, 1961)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcwuuoce722i\">For Eyes Only<\/a> (<em>Streng Geheim<\/em>, J\u00e1nos Veiczi, 1963)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lezmy4uop22r\">The Divided Heaven<\/a> (<em>Der geteilte Himmel<\/em>, Konrad Wolf, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lis7r5b6cs2u\">The Little Prince<\/a> (<em>Der kleine Prinz<\/em>, Konrad Wolf, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3liuq37qeb22s\">I Was Nineteen<\/a> (<em>Ich war neunzehn<\/em>, Konrad Wolf, 1968)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lixeo7vey226\">Goya, or the Hard Way to Enlightenment<\/a>&nbsp;(<em>Goya \u2013 oder der arge Weg der Erkenntnis<\/em>, Konrad Wolf, 1971)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lizus4mmrs2i\">The Naked Man in the Stadium<\/a> (<em>Der nackte Mann auf dem Sportplatz<\/em>, Konrad Wolf, 1974)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lj4jzlk4yk2l\">Mama, I&#8217;m Alive<\/a> (<em>Mama, ich lebe<\/em>, Konrad Wolf, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lj6tu2r5lc2g\">Solo Sunny<\/a> (Konrad Wolf, 1980)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Estonia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgum77yeac2y\">Madness<\/a> (<em>Hullumeelsus<\/em>, Kaljo Kiisk, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3laxz7jvmgc2c\">Pilot Pirx\u2019s Legacy<\/a>&nbsp;(<em>Test pilota Pirxa<\/em>, Marek Piestrak, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3livyfplw6c2y\">Names in Marble<\/a> (<em>Nimed marmortahvlil<\/em>, Elmo N\u00fcganen, 2002)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbelk3jjrc27\">November<\/a> (<em>Rehepapp<\/em>, Rainer Sarnet, 2017)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldv2i4shfk2g\">The Invisible Fight<\/a> (<em>N\u00e4htamatu v\u00f5itlus<\/em>, Rainer Sarnet, 2023)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Georgia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljdszda6b22s\">Sapovnela<\/a> (<em>\u10e1\u10d0\u10de\u10dd\u10d5\u10dc\u10d4\u10da\u10d0<\/em>,&nbsp;Otar Iosseliani, 1959)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljgdemjn522c\">April<\/a> (\u10d0\u10de\u10e0\u10d8\u10da\u10d8, Otar Iosseliani, 1961)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljitucpz622u\">Cast Iron<\/a> (\u10d7\u10e3\u10ef\u10d8, Otar Iosseliani, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljlhgc4pss2o\">Falling Leaves<\/a> (\u10d2\u10d8\u10dd\u10e0\u10d2\u10dd\u10d1\u10d8\u10e1\u10d7\u10d5\u10d4,&nbsp;Otar Iosseliani, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljnusszwjs2e\">Georgian Ancient Songs<\/a> (\u10eb\u10d5\u10d4\u10da\u10d8 \u10e5\u10d0\u10e0\u10d7\u10e3\u10da\u10d8 \u10e1\u10d8\u10db\u10e6\u10d4\u10e0\u10d0, Otar Iosseliani, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljqf77i7kc2x\">Once Upon a Time There Was a Singing Blackbird<\/a> (\u10d8\u10e7\u10dd \u10e8\u10d0\u10e8\u10d5\u10d8 \u10db\u10d2\u10d0\u10da\u10dd\u10d1\u10d4\u10da\u10d8, Otar Iosseliani, 1970)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljsvqe2a5c2z\">Pastorale<\/a> (\u10de\u10d0\u10e1\u10e2\u10dd\u10e0\u10d0\u10da\u10d8, Otar Iosseliani, 1975)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lebmv6dsn22x\">Ashik Kerib<\/a> (<em>\u10d0\u10e8\u10d8\u10d9-\u10e5\u10d4\u10e0\u10d8\u10d1\u10d8<\/em>, Sergei Parajanov, 1988)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgkl7tdhbk2j\">Beginning<\/a> (\u10d3\u10d0\u10e1\u10d0\u10ec\u10e7\u10d8\u10e1\u10d8, D\u00e9a Kulumbegashvili, 2020)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcpdi7zhu22l\">Blackbird Blackbird Blackberry<\/a> (<em>\u10e8\u10d0\u10e8\u10d5\u10d8 \u10e8\u10d0\u10e8\u10d5\u10d8 \u10db\u10d0\u10e7\u10d5\u10d0\u10da\u10d8<\/em>, Elene Naveriani, 2023)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hungary<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lb7kmhh4j22h\">The Exile<\/a>&nbsp;(<em>A tolonc<\/em>, Mih\u00e1ly Kert\u00e9sz, 1914)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lftwgeew622j\">Hyppolit the Butler <\/a>(<em>Hyppolit, a lak\u00e1j<\/em>, Istv\u00e1n Sz\u00e9kely, 1931)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lczffcwzxk2x\">Hortob\u00e1gy<\/a> (George Hoellering, 1936)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljmmiqfwdc2v\">Deadly Spring<\/a> (<em>Hal\u00e1los tavasz<\/em>, L\u00e1szl\u00f3 Kalm\u00e1r, 1939)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldkymbxztk25\">Merry-Go-Round<\/a> (<em>K\u00f6rhinta<\/em>, Zolt\u00e1n F\u00e1bri, 1956)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbr5wdn6w22s\">Current<\/a> (<em>Sodr\u00e1sban<\/em>, Istv\u00e1n Ga\u00e1l, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le4luh57mc2d\">The Round-Up<\/a> (<em>Szeg\u00e9nyleg\u00e9nyek<\/em>, Mikl\u00f3s Jancs\u00f3, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfccw43ukc2f\">Ten Thousand Suns <\/a>(<em>T\u00edzezer nap<\/em>, Ferenc K\u00f3sa, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lijfyi6fhc2m\">Angi Vera<\/a> (P\u00e1l G\u00e1bor, 1978)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leta2tbja22s\">Confidence<\/a> (<em>Bizalom<\/em>, Istv\u00e1n Szab\u00f3, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lccrvve3ak2i\">Sweet Emma, Dear B\u00f6be<\/a> (<em>\u00c9des Emma, dr\u00e1ga B\u00f6be &#8211; v\u00e1zlatok, aktok<\/em>, Istv\u00e1n Szab\u00f3, 1992)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lecveh7egc2v\">Thomas and the Falcon King<\/a> (<em><em>Solym\u00e1sz Tam\u00e1s<\/em><\/em>, V\u00e1clav Vorl\u00ed\u010dek, 2000)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmjminwl2c26\">Children of Glory<\/a>&nbsp;(<em>Szabads\u00e1g, szerelem<\/em>, Krisztina Goda, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lh45p63u7c2n\">Fresh Air<\/a> (<em>Friss Leveg\u0151<\/em>, \u00c1gnes Kocsis, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lghzuifkik2x\">Taxidermia<\/a> (Gy\u00f6rgy P\u00e1lfi, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhsrro6ijk2t\">Iska\u2019s Journey<\/a> (<em>Iszka utaz\u00e1sa<\/em>, Csaba Boll\u00f3k, 2007)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lj2zatdyhc2t\">Preparations to Be Together for an Unknown Period of Time<\/a> (<em>Felk\u00e9sz\u00fcl\u00e9s meghat\u00e1rozatlan ideig tart\u00f3 egy\u00fcttl\u00e9tre<\/em>, Lili Horv\u00e1t, 2020)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljwohzl4bc2w\">Freedom<\/a> (<em>Libertate,&nbsp;<\/em>Tudor Giurgiu, 2023)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Kosovo<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3libunqj2yc2f\">Housekeeping for Beginners<\/a> (\u0414\u043e\u043c\u0430\u045c\u0438\u043d\u0441\u0442\u0432\u043e \u0437\u0430 \u043f\u043e\u0447\u0435\u0442\u043d\u0438\u0446\u0438, Goran Stolevski, 2023)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Latvia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldv2i4shfk2g\">The Invisible Fight<\/a> (<em>N\u00e4htamatu v\u00f5itlus<\/em>, Rainer Sarnet, 2023)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lm7ik3olns2m\">Flow<\/a> (<em>Straume<\/em>, Gints Zilbalodis, 2024)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Lithuania<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbjmi27k7k2v\">The Devil&#8217;s Bride<\/a> (<em>Velnio nuotaka<\/em>, Ar\u016bnas \u017debri\u016bnas, 1974)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhdoyevcq224\">Three Days<\/a> (<em>Trys dienos<\/em>, \u0160ar\u016bnas Bartas, 1992)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3liyirlbal22x\">Christmas. Uncensored<\/a> (<em>Tyli naktis<\/em>, M\u0101ris Martinsons, 2012)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Moldova<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3li4tnmv4p22d\">The Red Meadows<\/a> (<em>\u041a\u0440\u0430\u0441\u043d\u044b\u0435 \u043f\u043e\u043b\u044f\u043d\u044b<\/em>, Emil Loteanu, 1966)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Montenegro<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lf5cpua4dc26\">The Priest&#8217;s Children<\/a> (<em>Sve\u0107enikova djeca<\/em>, Vinko Bre\u0161an, 2013)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">(<strong>North) Macedonia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcueft2iqs2o\">The Border Post<\/a> (<em>Karaula<\/em>, Rajko Grli\u0107, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3libunqj2yc2f\">Housekeeping for Beginners<\/a> (\u0414\u043e\u043c\u0430\u045c\u0438\u043d\u0441\u0442\u0432\u043e \u0437\u0430 \u043f\u043e\u0447\u0435\u0442\u043d\u0438\u0446\u0438, Goran Stolevski, 2023)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Poland<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lckck22u2c2q\">The Polish Dancer<\/a> (<em>Bestia<\/em>, Aleksander Hertz, 1917)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbuwudd5rs25\">Destination Nowa Huta!<\/a> (<em>Kierunek \u2013 Nowa Huta!<\/em>, Andrzej Munk, 1951)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbuwz5aad225\">Peasant Diaries<\/a> (<em>Pami\u0119tniki ch\u0142op\u00f3w<\/em>, Andrzej Munk, 1952)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgn6bovxok2w\">Cellulose<\/a> (<em>Celuloza<\/em>, Jerzy Kawalerowicz, 1953)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbux726zfc25\">The Railwayman&#8217;s Word<\/a> (<em>Kolejarskie s\u0142owo<\/em>, Andrzej Munk, 1953)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbxhc74wvc2i\">The Stars Must Burn<\/a> (<em>Gwiazdy musz\u0105 p\u0142on\u0105\u0107<\/em>, Andrzej Munk, 1954)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgn6bovxok2w\">Under the Phrygian Star<\/a>(<em>Pod gwiazd\u0105 frygijsk\u0105<\/em>, Jerzy Kawalerowicz, 1954)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbxhru3gi22i\">The Men of the Blue Cross<\/a> (<em>B\u0142\u0119kitny krzy\u017c<\/em>, Andrzej Munk, 1955)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbzxjcwpgk27\">One Sunday Morning<\/a> (<em>Niedzelny poranek<\/em>, Andrzej Munk, 1955)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbzxw6nfbk27\">Man on the Tracks<\/a> (<em>Cz\u0142owiek na torze<\/em>, Andrzej Munk, 1956)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lc4icyc7rk27\">Eroica<\/a> (Andrzej Munk, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lc6yhav32226\">Con Bravura<\/a> (Andrzej Munk, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leqpm3yq6s2y\">Cross of Valour<\/a> (<em>Krzy\u017c Walecznych<\/em>, Kazimierz Kutz, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lc6ynpj6wk26\">A Walk in the Old Town of Warsaw<\/a> (<em>Spacerek staromiejski<\/em>, Andrzej Munk, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcbiwik5gc24\">Bad Luck<\/a> (<em>Zezowate szcz\u0119\u015bcie<\/em>, Andrzej Munk, 1960)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcdzfb2qus2i\">Passenger<\/a> (<em>Pasa\u017cerka<\/em>, Andrzej Munk\/Witold Lesiewicz, 1963)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljp5kvufps2z\">Camouflage<\/a><em> (Barwy ochronne<\/em>, Krzysztof Zanussi, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/did:plc:tqzkkbqrgg3acupfd2z5w4ps\/post\/3lj5jr42olk2n\">Camera Buff<\/a> (<em>Amator<\/em>, Krzysztof Kie\u015blowski, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3laxz7jvmgc2c\">Pilot Pirx\u2019s Legacy<\/a>&nbsp;(<em>Test pilota Pirxa<\/em>, Marek Piestrak, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmeq6e3ktk2u\">The Conductor<\/a>&nbsp;(<em>Dyrygent<\/em>, Andrzej Wajda, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldnj3dbjl22w\">War of the Worlds \u2013 Next Century<\/a> (<em>Wojna swiat\u00f3w \u2013 nast\u0119pne stulecie<\/em>, Piotr Szulkin, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lilwjxi5322x\">Interrogation<\/a> (<em>Przes\u0142uchanie<\/em>, Ryszard Bugajski, 1982)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le74eiulb22o\">The Debt<\/a> (<em>D\u0142ug<\/em>, Krzysztof Krauze, 1999)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lecveh7egc2v\">Thomas and the Falcon King<\/a> (<em><em>Kr\u00f3l sokol\u00f3w<\/em><\/em>, V\u00e1clav Vorl\u00ed\u010dek, 2000)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ld3wdmqeh22f\">The Art of Loving<\/a> (<em>Sztuka kochania. Historia Michaliny Wis\u0142ockiej<\/em>, Maria Sadowska, 2017)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbelk3jjrc27\">November<\/a> (<em>Rehepapp<\/em>, Rainer Sarnet, 2017)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfwgurr2fc2y\">My Wonderful Life<\/a> (<em>Moje wspania\u0142e \u017cycie<\/em>, \u0141ukasz Grzegorzek, 2021)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3libunqj2yc2f\">Housekeeping for Beginners<\/a> (\u0414\u043e\u043c\u0430\u045c\u0438\u043d\u0441\u0442\u0432\u043e \u0437\u0430 \u043f\u043e\u0447\u0435\u0442\u043d\u0438\u0446\u0438, Goran Stolevski, 2023)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhqbguih3s2w\">It&#8217;s Not My Film<\/a> (<em>To nie m\u00f3j film<\/em>, Maria Zb\u0105ska, 2024)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lh6olbjgzk24\">Two Sisters<\/a> (<em>Dwie siostry<\/em>, \u0141ukasz Karwowski, 2024)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfetdfz5ds2d\">White Courage<\/a> (<em>Bia\u0142a odwaga<\/em>, Marcin Kosza\u0142ka, 2024)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Romania<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgaipahakc2f\">A Bomb Was Stolen<\/a> (<em>S-a furat o bomb\u0103<\/em>, Ion Popescu-Gopo, 1962)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3liqxf7zcrc2k\">An Unforgettable Summer<\/a> (<em>O var\u0103 de neuitat<\/em>, Lucian Pintilie, 1994)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfovbusfgc2z\">The Death of Mr Lazarescu<\/a> (<em>Moartea domnului L\u0103z\u0103rescu<\/em>, Cristi Puiu, 2005)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lb527v5cjc2a\">12:08 East of Bucharest<\/a>&nbsp;(<em>A fost sau n-a fost?<\/em>, Corneliu Porumboiu, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lf2rkygwos2b\">Boogie<\/a> (Radu Muntean, 2008)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldpzkaczqk27\">If I Want to Whistle, I Whistle<\/a> (<em>Eu c\u00e2nd vreau s\u0103 fluier, fluier<\/em>, Florin \u0218erban, 2010)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lchs2xki6c22\">Child&#8217;s Pose<\/a> (<em>Pozi\u021bia copilului<\/em>, C\u0103lin Peter Netzer, 2013)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhvcbj2wcs2b\">Horizon<\/a> (<em>Orizont<\/em>, Marian Cri\u015fan, 2015)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbw6snna6s24\">Donbass<\/a> (<em>\u0414\u043e\u043d\u0431\u0430\u0441\u0441<\/em>, Sergei Loznitsa, 2018)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lej6765gms2e\">R.M.N.<\/a> (Cristian Mungiu, 2022)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljwohzl4bc2w\">Freedom<\/a> (<em>Libertate,&nbsp;<\/em>Tudor Giurgiu, 2023)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Russia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbypbgasek2b\">The Cameraman&#8217;s Revenge<\/a> (<em>\u041c\u0435\u0441\u0442\u044c \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043e\u043f\u0435\u0440\u0430\u0442\u043e\u0440\u0430<\/em>, W\u0142adys\u0142aw Starewicz, 1912)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lelos7whp225\">After Death<\/a> (<em><em>\u041f\u043e\u0441\u043b\u0435 \u0441\u043c\u0435\u0440\u0442\u0438<\/em><\/em>, Yevgeny Bauer, 1915)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljhlwqatts2x\">Strike<\/a> (<em>\u0421\u0442\u0430\u0447\u043a\u0430<\/em>, Sergei Eisenstein, 1925)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhbaba2a222v\">Turksib<\/a> (<em>\u0422\u0443\u0440\u043a\u0441\u0438\u0431<\/em>, Viktor Turin, 1929)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmh224vtz22g\">Vassilisa the Beautiful<\/a>&nbsp;(<em>\u0412\u0430\u0441\u0438\u043b\u0438\u0441\u0430 \u041f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u0430\u044f<\/em>, Aleksandr Rou, 1939)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbc33enc3s2k\">The Cranes Are Flying<\/a>&nbsp;(<em>\u041b\u0435\u0442\u044f\u0442 \u0436\u0443\u0440\u0430\u0432\u043b\u0438<\/em>, Mikhail Kalatozov, 1957)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljbcig74m22o\">Watercolour<\/a> (<em>\u0410\u043a\u0432\u0430\u0440\u0435\u043b\u044c<\/em>, Otar Iosseliani, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfyzixf5uc2m\">Ballad of a Soldier<\/a> (<em>\u0411\u0430\u043b\u043b\u0430\u0434\u0430 \u043e \u0441\u043e\u043b\u0434\u0430\u0442\u0435<\/em>, Grigori Chukhrai, 1959)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcgk2jzsgk2g\">Heat<\/a> (<em>\u0417\u043d\u043e\u0439<\/em>, Larisa Shepitko, 1963)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lclkryjrdc2x\">Wings<\/a> (<em>\u041a\u0440\u044b\u043b\u044c\u044f<\/em>, Larisa Shepitko, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lco3ajlyu22l\">The Homeland of Electricity<\/a> (<em>\u0420\u043e\u0434\u0438\u043d\u0430 \u044d\u043b\u0435\u043a\u0442\u0440\u0438\u0447\u0435\u0441\u0442\u0432\u0430<\/em>, Larisa Shepitko, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lco3gin7vk2l\">In the Thirteenth Hour of the Night<\/a> (<em>\u0412 \u0442\u0440\u0438\u043d\u0430\u0434\u0446\u0430\u0442\u043e\u043c \u0447\u0430\u0441\u0443 \u043d\u043e\u0447\u0438<\/em>, Larisa Shepitko, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcqlpdibrc2d\">You and Me<\/a> (<em>\u0422\u044b \u0438 \u044f<\/em>, Larisa Shepitko, 1971)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldsk3yznc22t\">Mirror<\/a> (<em>\u0417\u0435\u0440\u043a\u0430\u043b\u043e<\/em>, Andrei Tarkovsky, 1975)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljsvqe2a5c2z\">Pastorale<\/a> (\u10de\u10d0\u10e1\u10e2\u10dd\u10e0\u10d0\u10da\u10d8, Otar Iosseliani, 1975)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lct4cvgeqc2p\">The Ascent<\/a> (<em>\u0412\u043e\u0441\u0445\u043e\u0436\u0434\u0435\u043d\u0438\u0435<\/em>, Larisa Shepitko, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ld6iatxgpk2p\">Autumn Marathon<\/a> (<em>\u041e\u0441\u0435\u043d\u043d\u0438\u0439 \u043c\u0430\u0440\u0430\u0444\u043e\u043d<\/em>, Georgiy Daneliya, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcvmmziaqs26\">Larisa<\/a> (<em>\u041b\u0430\u0440\u0438\u0301\u0441\u0430<\/em>, Elem Klimov, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcvmspcegs26\">Farewell<\/a> (<em>\u041f\u0440\u043e\u0449\u0430\u043d\u0438\u0435<\/em>, Elem Klimov, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfhe46olr22k\">Professor Dowell&#8217;s Testament<\/a> (<em>\u0417\u0430\u0432\u0435\u0449\u0430\u043d\u0438\u0435 \u043f\u0440\u043e\u0444\u0435\u0441\u0441\u043e\u0440\u0430 \u0414\u043e\u0443\u044d\u043b\u044f<\/em>, Leonid Menaker, 1984)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lju5z77eac2z\">The Cold Summer of 1953<\/a> (<em>\u0425\u043e\u043b\u043e\u0434\u043d\u043e\u0435 \u043b\u0435\u0442\u043e \u043f\u044f\u0442\u044c\u0434\u0435\u0441\u044f\u0442 \u0442\u0440\u0435\u0442\u044c\u0435\u0433\u043e<\/em>, Alexander Proshkin, 1988)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgxxbuamds2m\">Of Freaks and Men<\/a> (<em>\u041f\u0440\u043e \u0443\u0440\u043e\u0434\u043e\u0432 \u0438 \u043b\u044e\u0434\u0435\u0439<\/em>, Aleksei Balabanov, 1998)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Serbia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldfxo64jik2x\">All for Free<\/a> (<em>Sve d\u017eaba<\/em>, Antonio Nui\u0107, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcueft2iqs2o\">The Border Post<\/a> (<em>Karaula<\/em>, Rajko Grli\u0107, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le23gzk2e22d\">Slovenian Girl<\/a> (<em>Slovenka<\/em>, Damjan Kozole, 2009)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lf5cpua4dc26\">The Priest&#8217;s Children<\/a> (<em>Sve\u0107enikova djeca<\/em>, Vinko Bre\u0161an, 2013)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3libunqj2yc2f\">Housekeeping for Beginners<\/a> (\u0414\u043e\u043c\u0430\u045c\u0438\u043d\u0441\u0442\u0432\u043e \u0437\u0430 \u043f\u043e\u0447\u0435\u0442\u043d\u0438\u0446\u0438, Goran Stolevski, 2023)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Slovakia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfjv4msmu22b\">Wolves&#8217; Lairs<\/a> (<em>Vlcie diery<\/em>, Pa\u013eo Bielik, 1948)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljckojzi3c2z\">The Devil Never Sleeps <\/a>(<em>\u010cert nesp\u00ed<\/em> , Peter Solan\/Franti\u0161ek \u017d\u00e1\u010dek, 1956)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3liogvqjprs2b\">The Boxer and Death<\/a> (<em>Boxer a smr\u0165<\/em>, Peter Solan, 1962)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmbz3btyrs2o\">The Barnab\u00e1\u0161 Kos Case<\/a>&nbsp;(<em>Pripad Barnab\u00e1\u0161 Kos<\/em>, Peter Solan, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldii52i7gc2z\">Dragon&#8217;s Return<\/a> (<em>Drak sa vracia<\/em>, Eduard Gre\u010dner, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgs3ps6c5c2r\">The Bloody Lady<\/a> (<em>Krvav\u00e1 pani<\/em>, Viktor Kubal, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcrtx7aat22k\">Night Riders<\/a> (<em>No\u010dn\u00ed jazdci<\/em>, Martin Holl\u00fd, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhg7ipfpk22l\">Down to the Cellar<\/a> (<em>Do pivnice<\/em>, Jan \u0160vankmajer, 1983)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lc5qfqtcyk2i\">A Path Across the Danube<\/a> (<em>Chodn\u00edk cez Dunaj<\/em>, Miloslav Luther, 1989)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3levqlo64hc2s\">The Garden<\/a> (<em>Z\u00e1hrada<\/em>, Martin \u0160ul\u00edk, 1995)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lg3jounkms2g\">Paper Heads<\/a> (<em>Papierov\u00e9 hlavy<\/em>, Du\u0161an Han\u00e1k, 1995)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lecveh7egc2v\">Thomas and the Falcon King<\/a> (<em>Sokoliar Tom\u00e1\u0161<\/em>, V\u00e1clav Vorl\u00ed\u010dek, 2000)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Slovenia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcaaoy7ujc2u\">No Man&#8217;s Land<\/a> (<em>Ni\u010dija zemlja<\/em>, Danis Tanovi\u0107, 2001)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcueft2iqs2o\">The Border Post<\/a> (<em>Karaula<\/em>, Rajko Grli\u0107, 2006)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3le23gzk2e22d\">Slovenian Girl<\/a> (<em>Slovenka<\/em>, Damjan Kozole, 2009)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ukraine<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldxkwye5cc2i\">The Night Coachman <\/a>(<em>\u041d\u043e\u0447\u043d\u043e\u0439 \u0438\u0437\u0432\u043e\u0437\u0447\u0438\u043a<\/em>, Heorhii Tasin, 1928)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lf7sgig5l22l\">In Spring<\/a> (<em>\u041d\u0430\u0432\u0435\u0441\u043d\u0456<\/em>, Mikhail Kaufman, 1929)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leo7b7uayk2g\">The Eve of Ivan Kupalo<\/a> (<em>\u0412\u0435\u0447\u0456\u0440 \u043d\u0430 \u0406\u0432\u0430\u043d\u0430 \u041a\u0443\u043f\u0430\u043b\u0430<\/em>, Yuri Ilyenko, 1968)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljf5j4kbys2q\">Mystery-Bouffe<\/a> (<em>\u041c\u0456\u0441\u0442\u0435\u0440\u0456\u044f-\u0431\u0443\u0444<\/em> , David Cherkasskiy, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ligvlt3ktc2p\">The Tribe<\/a> (<em>\u041f\u043b\u0435\u043c&#8217;\u044f<\/em>, Myroslav Slaboshpytskiy, 2014)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbw6snna6s24\">Donbass<\/a> (<em>\u0414\u043e\u043d\u0431\u0430\u0441\u0441<\/em>, Sergei Loznitsa, 2018)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgx4uof5ec2b\">Atlantis<\/a> (\u0410\u0442\u043b\u0430\u043d\u0442\u0438\u0434\u0430, Valentyn Vasyanovych, 2019)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldaxpbocjc2c\">20 Days in Mariupol<\/a> (<em>20 \u0434\u043d\u0456\u0432 \u0443 \u041c\u0430\u0440\u0456\u0443\u043f\u043e\u043b\u0456<\/em>, Mstyslav Chernov, 2023)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lh6olbjgzk24\">Two Sisters<\/a> (<em>Dwie siostry<\/em>, \u0141ukasz Karwowski, 2024)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>USSR<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljhlwqatts2x\">Strike<\/a> (<em>\u0421\u0442\u0430\u0447\u043a\u0430<\/em>, Sergei Eisenstein, 1925)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldxkwye5cc2i\">The Night Coachman <\/a>(<em>\u041d\u043e\u0447\u043d\u043e\u0439 \u0438\u0437\u0432\u043e\u0437\u0447\u0438\u043a<\/em>, Heorhii Tasin, 1928)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lf7sgig5l22l\">In Spring<\/a> (<em>\u0412\u0435\u0441\u043d\u043e\u0439<\/em>, Mikhail Kaufman, 1929)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhbaba2a222v\">Turksib<\/a> (<em>\u0422\u0443\u0440\u043a\u0441\u0438\u0431<\/em>, Viktor Turin, 1929)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lmh224vtz22g\">Vassilisa the Beautiful<\/a>&nbsp;(<em>\u0412\u0430\u0441\u0438\u043b\u0438\u0441\u0430 \u041f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u0430\u044f<\/em>, Aleksandr Rou, 1939)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbc33enc3s2k\">The Cranes Are Flying<\/a>&nbsp;(<em>\u041b\u0435\u0442\u044f\u0442 \u0436\u0443\u0440\u0430\u0432\u043b\u0438<\/em>, Mikhail Kalatozov, 1957)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljbcig74m22o\">Watercolour<\/a> (<em>\u0410\u043a\u0432\u0430\u0440\u0435\u043b\u044c<\/em>, Otar Iosseliani, 1958)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfyzixf5uc2m\">Ballad of a Soldier<\/a> (<em>\u0411\u0430\u043b\u043b\u0430\u0434\u0430 \u043e \u0441\u043e\u043b\u0434\u0430\u0442\u0435<\/em>, Grigori Chukhrai, 1959)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljdszda6b22s\">Sapovnela<\/a> (<em>\u10e1\u10d0\u10de\u10dd\u10d5\u10dc\u10d4\u10da\u10d0<\/em>,&nbsp;Otar Iosseliani, 1959)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljgdemjn522c\">April<\/a> (\u10d0\u10de\u10e0\u10d8\u10da\u10d8, Otar Iosseliani, 1961)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcgk2jzsgk2g\">Heat<\/a> (<em>\u0417\u043d\u043e\u0439<\/em>, Larisa Shepitko, 1963)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljitucpz622u\">Cast Iron<\/a> (\u10d7\u10e3\u10ef\u10d8, Otar Iosseliani, 1964)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljlhgc4pss2o\">Falling Leaves<\/a> (\u10d2\u10d8\u10dd\u10e0\u10d2\u10dd\u10d1\u10d8\u10e1\u10d7\u10d5\u10d4,&nbsp;Otar Iosseliani, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3li4tnmv4p22d\">The Red Meadows<\/a> (<em>\u041a\u0440\u0430\u0441\u043d\u044b\u0435 \u043f\u043e\u043b\u044f\u043d\u044b<\/em>, Emil Loteanu, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lclkryjrdc2x\">Wings<\/a> (<em>\u041a\u0440\u044b\u043b\u044c\u044f<\/em>, Larisa Shepitko, 1966)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lco3ajlyu22l\">The Homeland of Electricity<\/a> (<em>\u0420\u043e\u0434\u0438\u043d\u0430 \u044d\u043b\u0435\u043a\u0442\u0440\u0438\u0447\u0435\u0441\u0442\u0432\u0430<\/em>, Larisa Shepitko, 1967)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3leo7b7uayk2g\">The Eve of Ivan Kupalo<\/a> (<em>\u0412\u0435\u0447\u0456\u0440 \u043d\u0430 \u0406\u0432\u0430\u043d\u0430 \u041a\u0443\u043f\u0430\u043b\u0430<\/em>, Yuri Ilyenko, 1968)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljnusszwjs2e\">Georgian Ancient Songs<\/a> (\u10eb\u10d5\u10d4\u10da\u10d8 \u10e5\u10d0\u10e0\u10d7\u10e3\u10da\u10d8 \u10e1\u10d8\u10db\u10e6\u10d4\u10e0\u10d0, Otar Iosseliani, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lco3gin7vk2l\">In the Thirteenth Hour of the Night<\/a> (<em>\u0412 \u0442\u0440\u0438\u043d\u0430\u0434\u0446\u0430\u0442\u043e\u043c \u0447\u0430\u0441\u0443 \u043d\u043e\u0447\u0438<\/em>, Larisa Shepitko, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgum77yeac2y\">Madness<\/a> (<em>Hullumeelsus<\/em>, Kaljo Kiisk, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljf5j4kbys2q\">Mystery-Bouffe<\/a> (<em>\u041c\u0456\u0441\u0442\u0435\u0440\u0456\u044f-\u0431\u0443\u0444<\/em> , David Cherkasskiy, 1969)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljqf77i7kc2x\">Once Upon a Time There Was a Singing Blackbird<\/a> (\u10d8\u10e7\u10dd \u10e8\u10d0\u10e8\u10d5\u10d8 \u10db\u10d2\u10d0\u10da\u10dd\u10d1\u10d4\u10da\u10d8, Otar Iosseliani, 1970)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lixeo7vey226\">Goya, or the Hard Way to Enlightenment<\/a>&nbsp;(<em>Goya \u2013 oder der arge Weg der Erkenntnis<\/em>, Konrad Wolf, 1971)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcqlpdibrc2d\">You and Me<\/a> (<em>\u0422\u044b \u0438 \u044f<\/em>, Larisa Shepitko, 1971)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lgfjydi6kc26\">Sour Grapes<\/a> (<em>\u0540\u0576\u0571\u0561\u0576<\/em>, Bagrat Oganesyan, 1973)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ldsk3yznc22t\">Mirror<\/a> (<em>\u0417\u0435\u0440\u043a\u0430\u043b\u043e<\/em>, Andrei Tarkovsky, 1975)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lct4cvgeqc2p\">The Ascent<\/a> (<em>\u0412\u043e\u0441\u0445\u043e\u0436\u0434\u0435\u043d\u0438\u0435<\/em>, Larisa Shepitko, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lj4jzlk4yk2l\">Mama, I&#8217;m Alive<\/a> (<em>Mama, ich lebe<\/em>, Konrad Wolf, 1977)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ld6iatxgpk2p\">Autumn Marathon<\/a> (<em>\u041e\u0441\u0435\u043d\u043d\u0438\u0439 \u043c\u0430\u0440\u0430\u0444\u043e\u043d<\/em>, Georgiy Daneliya, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lee5rciavk26\">The Savage Hunt of King Stakh<\/a> (<em>\u0414\u0438\u043a\u0430\u044f \u043e\u0445\u043e\u0442\u0430 \u043a\u043e\u0440\u043e\u043b\u044f \u0421\u0442\u0430\u0445<\/em>\u0430, Valeriy Rubinchik, 1979)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcvmmziaqs26\">Larisa<\/a> (<em>\u041b\u0430\u0440\u0438\u0301\u0441\u0430<\/em>, Elem Klimov, 1980)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcvmspcegs26\">Farewell<\/a> (<em>\u041f\u0440\u043e\u0449\u0430\u043d\u0438\u0435<\/em>, Elem Klimov, 1981)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfhe46olr22k\">Professor Dowell&#8217;s Testament<\/a> (<em>\u0417\u0430\u0432\u0435\u0449\u0430\u043d\u0438\u0435 \u043f\u0440\u043e\u0444\u0435\u0441\u0441\u043e\u0440\u0430 \u0414\u043e\u0443\u044d\u043b\u044f<\/em>, Leonid Menaker, 1984)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3li2d6fh4us2s\">April<\/a> (<em>\u0531\u057a\u0580\u056b\u056c<\/em>, Vigen Chaldranyan, 1985)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lebmv6dsn22x\">Ashik Kerib<\/a> (<em>\u10d0\u10e8\u10d8\u10d9-\u10e5\u10d4\u10e0\u10d8\u10d1\u10d8<\/em>, Sergei Parajanov, 1988)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lju5z77eac2z\">The Cold Summer of 1953<\/a> (<em>\u0425\u043e\u043b\u043e\u0434\u043d\u043e\u0435 \u043b\u0435\u0442\u043e \u043f\u044f\u0442\u044c\u0434\u0435\u0441\u044f\u0442 \u0442\u0440\u0435\u0442\u044c\u0435\u0433\u043e<\/em>, Alexander Proshkin, 1988)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Yugoslavia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lcfbqavgb22r\">Innocence Unprotected<\/a> (<em>Nevinost bez za\u0161tite<\/em>, Du\u0161an Makavejev, 1968)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lhnqwy26lc27\">Leptirica<\/a> (<em>\u041b\u0435\u043f\u0442\u0438\u0440\u0438\u0446\u0430<\/em>, \u0110or\u0111e Kadijevi\u0107, 1973)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lja26bkg3k2x\">Variola Vera<\/a> (<em>\u0412\u0430\u0440\u0438\u043e\u043b\u0430 \u0432\u0435\u0440\u0430<\/em>, Goran Markovi\u0107, 1982)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lbh3yxwugk2c\">Time of the Gypsies<\/a> (<em>Dom za ve\u0161anje<\/em>, Emir Kusturica, 1988)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lfmf3snqns2w\">Pretty Village, Pretty Flame<\/a> (<em>\u041b\u0435\u043f\u0430 \u0441\u0435\u043b\u0430 \u043b\u0435\u043f\u043e \u0433\u043e\u0440\u0435<\/em>, Sr\u0111an Dragojevi\u0107, 1996) <\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Other<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljvg4wuqcs2w\">Seven Pieces for Black-and-White Cinema<\/a> (<em>Sept pi\u00e8ces pour cin\u00e9ma noir et blanc<\/em>, Otar Iosseliani, France, 1982)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3ljxwluifk223\">Euskadi, Summer 1982<\/a> (<em>Euskadi, \u00e9t\u00e9 1982<\/em>, Otar Iosseliani, 1983)<\/li>\n\n\n\n<li><a href=\"https:\/\/bsky.app\/profile\/marbleicehook.bsky.social\/post\/3lddh7csvfs2x\">Latcho Drom<\/a> (Tony Gatlif, France, 1993)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>English Title Index \/ Original Title Index \/ Directors Index \/ Chronological Index Albania Armenia Azerbaijan Belarus Bosnia-Herzegovina Bulgaria Croatia Czechoslovakia Czech Republic East Germany Estonia Georgia Hungary Kosovo Latvia Lithuania Moldova Montenegro (North) Macedonia Poland Romania Russia Serbia Slovakia Slovenia Ukraine USSR Yugoslavia Other<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-357","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Countries Index - Michael Brooke - Bluesky Index<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/michaelbrooke.com\/bluesky\/countries-index\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Countries Index - Michael Brooke - Bluesky Index\" \/>\n<meta property=\"og:description\" content=\"English Title Index \/ Original Title Index \/ Directors Index \/ Chronological Index Albania Armenia Azerbaijan Belarus Bosnia-Herzegovina Bulgaria Croatia Czechoslovakia Czech Republic East Germany Estonia Georgia Hungary Kosovo Latvia Lithuania Moldova Montenegro (North) Macedonia Poland Romania Russia Serbia Slovakia Slovenia Ukraine USSR Yugoslavia Other\" \/>\n<meta property=\"og:url\" content=\"https:\/\/michaelbrooke.com\/bluesky\/countries-index\/\" \/>\n<meta property=\"og:site_name\" content=\"Michael Brooke - Bluesky Index\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-12T08:41:01+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" 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