Sight & Sound: The Dark House

Poster for The Dark HouseMy review of Wojciech Smarzowski’s scabrous The Dark House, an ultra-black comedy set either side of the 1981 martial-law crackdown in Poland that more than confirms the promise of his debut The Wedding (easily my favourite of the clump of post-2000 Polish films given a UK cinema release in 2007-08), has just been published as a web exclusive. It’s getting its British premiere at Kinoteka on 31 March prior to a screening in Edinburgh on 4 April – but if you can’t make those screenings, the Polish Blu-ray is definitely English-subtitled, and the DVD claims to be too.

Sight & Sound: December 2010

Cover of Sight & Sound December 2010The latest Sight & Sound is out, complete with the following pieces by me:

  • brilliantlove (p. 56) – review of Ashley Horner’s paean to youthful erotic obsession: a very promising first half leads to a second without much to say;
  • Red & White (p. 73) – review of Yadi Sugandi’s slick, not unenjoyable but terminally clichéd Indonesian war movie;
  • Last Night (p. 86) – review of Park Circus’ DVD of Don McKellar’s very Canadian comedy of manners as assorted people contemplate the planet’s imminent but unexplained demise;
  • Films by Claudia Llosa (p. 86) – review of Dogwoof’s double-bill DVD of the first two features by the Peruvian director, over which the twin spirits of Luis Buñuel and Werner Herzog loom large;
  • Morgiana (p. 87) – review of Second Run’s DVD of Juraj Herz’s delirious Gainsborough-on-acid Gothic melodrama;
  • Will Success Spoil Rock Hunter? (p. 89) – review of Masters of Cinema’s excellent Blu-ray edition of Frank Tashlin’s 1950s consumerist satire;
  • The World (p. 90) – review of Masters of Cinema’s superlative Blu-ray edition of Jia Zhangke’s unsettling blend of documentary and fiction, filmed in a genuine theme park.

Sight & Sound: November 2010

Cover of Sight & Sound November 2010The latest Sight & Sound is out, complete with the following pieces by me:

  • The Arbor – review of Clio Barnard’s alarmingly original take on the concept of drama-documentary;
  • Involuntary – review of Ruben Östlund’s agreeably off-kilter study of Swedish social foibles;
  • Possession – review of Second Sight’s excellent DVD of Andrzej Żuławski’s ferociously confrontational study of marital breakdown: probably the most complex and intelligent of the films that made the DPP’s “video nasties” list;
  • The Burmese Harp – review of Masters of Cinema’s Blu-ray-only edition of Kon Ichikawa’s anti-war masterpiece;
  • Compulsion – review of Second Sight’s DVD of Richard Fleischer’s widescreen treatment of the Leopold and Loeb murder case that also inspired Rope and Swoon;
  • Satyajit Ray Volume 3 – review of Artificial Eye’s latest box set, containing the revelatory Deliverance, the masterly Tagore adaptation The Home and the World, and the disappointing Ibsen adaptation An Enemy of the People;
  • While the City Sleeps – review of Fritz Lang’s wickedly funny thriller about media priorities when faced with a life-or-death drama.

Sight & Sound: December 2009

Cover of Sight & Sound December 2009The latest Sight & Sound is out, complete with the following pieces by me:

  • ‘Something wild’ (p. 84) – review of Criterion’s Eclipse box of three early features by Dušan Makavejev;
  • Beaufort (p. 85) – review of Trinity’s Blu-ray of Joseph Cedar’s hard-hitting war movie, set in southern Lebanon just before the Israeli pull-out;
  • Beyond the Clouds (p. 85) – review of Second Sight’s DVD edition of Michelangelo Antonioni’s last feature;
  • Cherche toujours (p. 85) – review of Doriane Films’ DVD of an engaging French documentary about physicists carrying out pure “what if?” research;
  • Phantom/The Grand Duke’s Finances (p. 88) – review of Masters of Cinema’s DVD double-bill of two of F.W. Murnau’s more obscure (but still worthwhile) early films;
  • Two Daughters (p. 89) – review of Mr Bongo’s DVD of Satyajit Ray’s lovely Tagore diptych – sadly, not the original triptych.

Sight & Sound: November 2009

Cover of Sight & Sound November 2009The latest Sight & Sound is out, complete with the following pieces by me:

  • Social construct (p. 12) – interview with Lithuanian sculptor-turned-video artist Deimantas Narkevičius on the eve of the BFI Southbank unveiling of his latest installation;
  • Colin (p. 52) – review of Marc Price’s unavoidably rough-edged (the reported budget was £45!) but rather impressive zombie film;
  • Katalin Varga (p. 69) – review of Peter Strickland’s very promising directorial debut, filmed in Transylvania in languages that he didn’t actually speak at the time;
  • Diary for My Children (p. 85) – review of Second Run’s excellent DVD of the first part of Márta Mészáros’s autobiographical trilogy;
  • Films by Tony Richardson (p. 89) – namely Look Back in Anger, Mademoiselle and Joseph Andrews, all out on Optimum DVDs;
  • Films by Jacques Rivette (p. 89) – namely Jeanne la Pucelle and Secret Défense, all out on Artificial Eye DVDs.

Sight & Sound: February 2009

Cover of Sight & Sound February 2009The February 2009 issue of Sight & Sound is out now, complete with the following contributions by me:

  • cinema review of Boogie (d. Radu Muntean, Romania)
  • short Blu-ray review of Baraka (d. Ron Fricke, 1992, US)

plus short DVD reviews of:

  • I Was A Soldier (d. Michael Grigsby, 1970, UK)
  • Of Love and Eggs (d. Garin Nugroho, 2004, Indonesia)
  • Yesterday, Today and Tomorrow (d. Vittorio de Sica, 1963, Italy)
  • The Ruling Class (d. Peter Medak, 1972, UK)
  • Winter Soldier (d. Fred Aronow et al, 1972, US)
  • Legend of the Surami Fortress (d. Sergo Paradjanov, 1984, USSR)
  • Ashik Kerib (d. Sergo Paradjanov, 1988, USSR)

The Paradjanov reviews are a follow-up to a full-page feature that I wrote exactly two years earlier, which looked at all DVD releases of his films to date. Happily, both these new Artificial Eye discs turned out to be a clear first choice for those titles (the one for Legend of the Surami Fortress restores most of the original Georgian soundtrack, missing from the Russian-dubbed Ruscico edition), even if an ideal version of The Colour of Pomegranates still remains a pipe dream.

Sight & Sound: January 2009

Cover of Sight & Sound January 2009The January 2009 issue of Sight & Sound has been delivered, and includes the following pieces under my byline:

  • ‘The weight of the world’ – this month’s lead review, of Béla Tarr’s The Man From London (pages 54-55, and also online)

plus these individual DVD reviews:

  • Cinema 16: World Cinema Shorts (page 93)
  • Fighters/Real Money (pages 93-4)
  • Mad Detective (page 94)
  • Wim Wenders Documentaries (page 95)
  • Missing (page 97)
  • The Hourglass Sanatorium (page 98)

Sight & Sound December 2008

The December 2008 issue of Sight & Sound has just landed on my desk, and includes the following self-penned pieces:

  • ‘That loving feeling’ – this month’s lead review, of Djamshed Usmonov’s To Get To Heaven First You Have To Die (pages 48-49, and online)
  • Book review of Peter Hames’ (ed) The Cinema of Jan Svankmajer: Dark Alchemy (page 93)

plus these individual DVD reviews:

  • Eureka (page 85)
  • The GPO Film Unit Volume 1: Addressing the Nation (page 85)
  • The Living End (page 86)
  • Films by Max Ophuls: Caught and La Ronde (page 87)
  • Pleasures of the Flesh (page 87)
  • Red Desert (page 87)
  • Tigrero – A Film That Was Never Made (page 87)
  • J’Accuse (page 89)

Sight & Sound: November 2008

Cover of Sight & Sound November 2008The November 2008 issue of Sight & Sound has arrived from the printers, and features ten pieces with my byline, namely:

  • ‘South by Southeast’ – a report from the Sarajevo Film Festival (page 8 )
  • Love Letters and Live Wires – Highlights from the GPO Film Unit’ – film review (page 64, and also online)
  • ‘Dark Days of Salò’ – a look at the various new editions of Pier Paolo Pasolini’s last film (page 84)

plus these individual DVD reviews:

  • King of New York (page 85)
  • Kings of the Road (page 85)
  • Love is the Devil (page 86)
  • Films by Maurice Pialat: L’Enfance nue and Police (page 86)
  • Uniform (page 87)
  • Violence at High Noon (page 87)
  • Brand Upon the Brain! (page 88)

Sight & Sound: December 2007

Cover of Sight & Sound December 2007The latest Sight & Sound is out, complete with the following pieces by me:

  • Ex Drummer (p. 61) – review of Koen Mortier’s would-be transgressive Belgian drama, which tries a little too hard to offend everybody;
  • The Extras (p. 62) – review of Michał Kwieciński’s enjoyable if formulaic Polish-Chinese culture-clash romantic comedy;
  • ‘Gods and monsters (p. 100) – review of Masters of Cinema’s latest F.W. Murnau DVDs: Nosferatu and Tabu;
  • Bamako (p. 101) – review of Artificial Eye’s DVD of Abderrahmane Sissako’s politically adventurous Malian drama;
  • The Brides of Dracula (p. 101) – review of Showbox’s DVD of Hammer’s sequel to their groundbreaking Dracula, without Christopher Lee but Peter Cushing’s Van Helsing is ample compensation;
  • Gabrielle (p. 102) – review of Artificial Eye’s DVD of Patrice Chéreau’s deliberately stifling adaptation of Joseph Conrad’s The Return;
  • Golden Door (p. 102) – review of Optimum’s DVD of Emanuele Crialese’s sumptuously mounted drama about Sicilian immigrants to the New World;
  • It’s Winter (p. 102) – review of Artificial Eye’s DVD of Rafi Pitts’ appropriately chilly portrait of an unemployed Iranian man;
  • Films by René Laloux (p. 102) – reviews of Masters of Cinema’s separate DVD editions of Les Maîtres du temps and Gandahar, lesser-known sci-fi animated features by the maker of Fantastic Planet;
  • Theorem (p. 103) – review of the BFI’s excellent edition of Pier Paolo Pasolini’s perennially perplexing film-puzzle;
  • I Even Met Happy Gypsies (p. 105) – review of Delta Video’s DVD of Aleksandar Petrović’s Yugoslav cinema milestone: forgotten in the West but a clear influence on Emir Kusturica and Tony Gatlif’s gypsy films;
  • Ten Bad Dates with De Niro – A Book of Alternative Movie Lists (p. 109) – review of Richard Kelly’s entertaining compilation, including such delights as ‘Ten of the Unlikeliest Films Ever Judged the Best of All Time’, ‘Ten Films That Traumatised Me When I Was Younger’ and ‘Manicure Madness’ (‘Ten Shining Examples of Notable Nail Varnish’).